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Olivier Assayas

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Olivier Assayas


Born
in Paris, France
January 25, 1955

Genre

Influences


Olivier Assayas, the son of respected French director/screenwriter Jacques Remy, was born in Paris, France. Growing up around film studios, he developed an early interest in filmmaking, but instead opted to study literature and painting. When his father became ill, Assayas helped him, first as a secretary, then ghostwriting several scripts for the TV series Maigret.

In 1985, Assayas began screenwriting. He collaborated with André Téchiné on the scripts for Rendezvous (1985) and Scene of the Crime (1986). In 1986, Assayas directed his first feature, the stylized teen psychodrama Désordre (1986), which won the Critics Prize at the Venice Film Festival. He came to the attention of North American film audiences with his third film, Paris S'Eveil
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Average rating: 3.73 · 120 ratings · 8 reviews · 25 distinct works
A Post-May Adolescence: Let...

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3.71 avg rating — 21 ratings — published 2005 — 2 editions
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Bergman. Rozmowy

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3.32 avg rating — 19 ratings — published 1990 — 5 editions
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Presencias

3.88 avg rating — 16 ratings2 editions
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Le temps présent du cinéma

3.06 avg rating — 16 ratings
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Assayas par Assayas (Essais...

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4.25 avg rating — 4 ratings — published 2014 — 3 editions
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Tracts (N°20) - Le Temps pr...

it was amazing 5.00 avg rating — 1 rating
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Eloge De Kenneth Angervraie...

liked it 3.00 avg rating — 1 rating — published 1999 — 2 editions
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Fin Aout Debut Septembre

liked it 3.00 avg rating — 1 rating — published 1999
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HHH, portrait de Hou Hsiao-...

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L'Enfant de l'hiver

0.00 avg rating — 0 ratings2 editions
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Quotes by Olivier Assayas  (?)
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“One of the greatest films ever made by a director who, almost forty years after his death, is still an intimidating and disturbing figure in the history of cinema. Visconti’s films stand outside the borders of the medium, by their ambition, by their scope, uniting past and present, individuals and history, both deeply human and transcendent. The Leopard, his most translucent, towering achievement, embodies everything the best filmmaking can be, grand, profound, entertaining, physical and metaphysical, sharp as a blade and melodramatic. It stays with you, forever.”
Olivier Assayas



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