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J.F. Elferdink’s Followers (12)
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J.F. Elferdink
Goodreads Author
Born
in Holland, MI, The United States
June 10
Member Since
April 2011
URL
https://www.goodreads.com/harmlessjoyce
Readers Favorite 5 star review
https://acrobat.adobe.com/id/urn:aaid... I am so grateful! A good rating causes an author to be energized, competent, inspired, and joyful. I hope to pass on this feeling! Will you?
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Battle of Jericho 2038
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Pieces of You
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published
2012
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4 editions
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* Note: these are all the books on Goodreads for this author. To add more, click here.
J.F.’s Recent Updates
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J.F. Elferdink
wants to read
The Battle of the Labyrinth (Percy Jackson and the Olympians, #4)
by Rick Riordan (Goodreads Author) |
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J.F. Elferdink
entered a giveaway
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"Battle of Jericho 2038 is one of the most original futuristic tales I’ve come across in years. The way it blends corporate greed, space technology, and human sacrifice feels chillingly possible. The idea of a banking empire controlling humanity throu"
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"I was struck by how layered and ambitious this synopsis is. On one level, it’s a story of rebellion against greed and oppression. On another, it’s about sacrifice, legacy, and the potential for humanity to reach the stars. The details about space ele"
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J.F. Elferdink
joined the group
GOOD REVIEWS
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J.F. Elferdink
made a comment on
Battle of Jericho 2038
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space elevators
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Space elevators have been mentioned in only a few science fiction books before mine. Why do you think it is a less popular topic on space travel than
...more
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“The plain state of being human is dramatic enough for anyone; you don't need to be a heroin addict or a performance poet to experience extremity. You just have to love someone.”
― How to Be Good
― How to Be Good
“To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.”
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“Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase a scientific word or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.”
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“Miracles are a retelling in small letters of the very same story which is written across the whole world in letters too large for some of us to see.”
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“I speak and speak,” Marco says, “but the listener retains only the words he is expecting. The description of the world to which you lend a benevolent ear is one thing; the description that will go the rounds of the groups of stevedores and gondoliers on the street outside my house the day of my return is another; and yet another, that which I might dictate late in life, if I were taken prisoner by Genoese pirates and put in irons in the same cell with a writer of adventure stories. It is not the voice that commands the story: it is the ear.”
― Invisible Cities
― Invisible Cities
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