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Justin Runge

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Justin Runge

Goodreads Author


Born
in The United States
Twitter

Genre

Influences

Member Since
September 2007

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Justin Runge is the author of Plainsight (New Michigan Press, 2012) and Hum Decode (Greying Ghost Press, 2014). His criticism has been featured by Black Warrior Review and Pleiades, and his poetry has been published in Cincinnati Review, Poetry Northwest, DIAGRAM, and other journals.

Average rating: 4.5 · 8 ratings · 3 reviews · 3 distinct works
Plainsight

4.50 avg rating — 6 ratings — published 2012 — 2 editions
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Hum Decode

4.50 avg rating — 2 ratings — published 2014
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Bennington Review - Issue 3...

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* Note: these are all the books on Goodreads for this author. To add more, click here.

How High We Go in...
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by Sequoia Nagamatsu (Goodreads Author)
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Devotions: The Se...
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Justin’s Recent Updates

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Turtle Diary by Russell Hoban
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Loved this. I will read more Hoban, for sure.
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The last Time I Saw Amelia Earhart by Gabrielle Calvocoressi
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Run the Red Lights by Ed Skoog
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The Animal Is Chemical by Hadara Bar-Nadav
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Young Tambling by Kate Greenstreet
Young Tambling
by Kate Greenstreet (Goodreads Author)
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The Woman Who Died In Her Sleep by Linda Gregerson
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At times too academic, but Gregerson is able to find resonances that can leave you breathless when ultimately revealed, particularly in her multipart poems, of which there are several here. "Safe," "Salt," and "For the Taking" are notable. ...more
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alphabet by Inger Christensen
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Pierce-Arrow by Susan Howe
Pierce-Arrow
by Susan Howe (Goodreads Author)
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Slippage all over — between the academic, the abstract, the biographic, into the subject, into madness, the prosaic. I found myself quite moved by the first section — you can almost feel these people dissolving, even as their voluminous lives and wor ...more
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[...] by Fady Joudah
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No Jerusalem but This by Samuel Menashe
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More of Justin's books…
Sherwood Anderson
“There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun.”
Sherwood Anderson, Winesburg, Ohio: A Group of Tales of Ohio Small Town Life

W.B. Yeats
“In the great cities we see so little of the world, we drift into our minority. In the little towns and villages there are no minorities; people are not numerous enough. You must see the world there, perforce. Every man is himself a class; every hour carries its new challenge. When you pass the inn at the end of the village you leave your favourite whimsy behind you; for you will meet no one who can share it. We listen to eloquent speaking, read books and write them, settle all the affairs of the universe. The dumb village multitudes pass on unchanging; the feel of the spade in the hand is no different for all our talk: good seasons and bad follow each other as of old. The dumb multitudes are no more concerned with us than is the old horse peering through the rusty gate of the village pound. The ancient map-makers wrote across unexplored regions, 'Here are lions.' Across the villages of fishermen and turners of the earth, so different are these from us, we can write but one line that is certain, 'Here are ghosts.' ("Village Ghosts")”
W.B. Yeats, The Celtic Twilight: Faerie and Folklore

Ray Bradbury
“The sidewalks were haunted by dust
ghosts all night as the furnace wind summoned them up,
swung them about, and gentled them down in a warm spice on
the lawns. Trees, shaken by the footsteps of late-night strol-
lers, sifted avalanches of dust. From midnight on, it seemed a
volcano beyond the town was showering red-hot ashes every-
where, crusting slumberless night watchmen and irritable
dogs. Each house was a yellow attic smoldering with spon-
taneous combustion at three in the morning.

Dawn, then, was a time where things changed element for
element. Air ran like hot spring waters nowhere, with no
sound. The lake was a quantity of steam very still and deep
over valleys of fish and sand held baking under its serene
vapors. Tar was poured licorice in the streets, red bricks were
brass and gold, roof tops were paved with bronze. The high-
tension wires were lightning held forever, blazing, a threat
above the unslept houses.
The cicadas sang louder and yet louder.
The sun did not rise, it overflowed.”
Ray Bradbury, Dandelion Wine

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