Nick Montfort

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Nick Montfort


Born
The United States
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Nick Montfort is Professor of Digital Media at MIT. He is the author of Twisty Little Passages: An Approach to Interactive Fiction and Exploratory Programming for the Arts and Humanities; the coauthor of Racing the Beam: The Atari Video Computer System and 10 PRINT CHR$(205.5+RND(1)); : GOTO 10; and the coeditor of The New Media Reader (all published by the MIT Press).

Average rating: 3.9 · 1,812 ratings · 209 reviews · 20 distinct worksSimilar authors
Racing the Beam: The Atari ...

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4.06 avg rating — 816 ratings — published 2009 — 6 editions
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Twisty Little Passages: An ...

3.76 avg rating — 340 ratings — published 2003 — 9 editions
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10 PRINT CHR$(205.5+RND(1))...

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3.84 avg rating — 250 ratings — published 2012 — 11 editions
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The Future (The MIT Press E...

3.19 avg rating — 142 ratings — published 2017 — 11 editions
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Exploratory Programming for...

4.05 avg rating — 21 ratings — published 2016 — 8 editions
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#!

really liked it 4.00 avg rating — 8 ratings — published 2014 — 2 editions
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2002: A Palindrome Story in...

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3.50 avg rating — 6 ratings — published 2002
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Riddle & Bind

4.20 avg rating — 5 ratings — published 2010 — 2 editions
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World Clock

3.60 avg rating — 5 ratings — published 2013
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The Truelist

4.33 avg rating — 3 ratings — published 2017
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More books by Nick Montfort…
Quotes by Nick Montfort  (?)
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“Parker Brothers and other companies sold a billion dollars worth of handheld games in 1979, which didn’t encourage them to look to the much smaller videogame market. In that market, the leading company, Atari, had sales of only $238 million during that same year—and that was after the Atari VCS had been on the market for more than twelve months.”
Nick Montfort, Racing the Beam: The Atari Video Computer System

“When the snowspeeder endures for two minutes in Star Wars: The Empire Strikes Back, it wins the temporary invulnerability of “the Force” and the Star Wars theme plays, as it does when the cartridge first starts up. This rare musical treat effectively draws a connection to the Star Wars movies and also works effectively in the game, making the period of invulnerability even more heightened. The theme plays as sound effects from the game continue, too, so that it is integrated into the experience of play rather than interrupting it.”
Nick Montfort, Racing the Beam: The Atari Video Computer System

“good examples of platform-aware work in Alexander Galloway’s Protocol: How Control Exists after Decentralization, Steven E. Jones’s The Meaning of Video Games, and Matthew G. Kirschenbaum’s Mechanisms: New Media and the Forensic Imagination.”
Nick Montfort, Racing the Beam: The Atari Video Computer System



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