Vivien Greene’s Followers (1)

Vivien Greene

Website

https://www.guggenheim.org/staff/vivien-greene

Genre

Art

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Vivien Greene has been a Guggenheim curator since 1993 and specializes in late 19th- and early 20th-century European art with concentrations in Italian modernism and international currents in turn-of-the-century art and culture. She most recently organized the exhibitions Italian Futurism, 1909–1944: Reconstructing the Universe (2014) and The Avant-Gardes of Fin-de-Siècle Paris: Signac, Bonnard, Redon, and Their Contemporaries (2013). Among her other exhibition projects are The Vorticists: Rebel Artists in London and New York, 1914–18 (coorganized with Mark Antliff; 2010–11); Utopia Matters: From Brotherhoods to Bauhaus (2010); and Divisionism/Neo-Impressionism: Arcadia and Anarchy (2007).

In addition to the catalogues associated with her ex Vivien Greene has been a Guggenheim curator since 1993 and specializes in late 19th- and early 20th-century European art with concentrations in Italian modernism and international currents in turn-of-the-century art and culture. She most recently organized the exhibitions Italian Futurism, 1909–1944: Reconstructing the Universe (2014) and The Avant-Gardes of Fin-de-Siècle Paris: Signac, Bonnard, Redon, and Their Contemporaries (2013). Among her other exhibition projects are The Vorticists: Rebel Artists in London and New York, 1914–18 (coorganized with Mark Antliff; 2010–11); Utopia Matters: From Brotherhoods to Bauhaus (2010); and Divisionism/Neo-Impressionism: Arcadia and Anarchy (2007).

In addition to the catalogues associated with her exhibitions, Greene’s latest publications include “John Quinn and Vorticist Painting: The Eye (and Purse) of an American Collector,” in Vorticism: New Perspectives, ed. Mark Antliff and Scott W. Klein (Oxford: Oxford University Press, 2013); “Bizantium and Emporium: Fine Secolo Magazines in Rome and Milan,” in The Oxford Critical and Cultural History of Modernist Magazines, vol. 3, Europe 1880–1940, ed. Peter Brooker, Sascha Bru, Andrew Thacker, and Christian Weikop (Oxford: Oxford University Press, 2013); “The ‘Other’ Africa: Giuseppe Pitrè’s Mostra Etnografica Siciliana (1891–92),” Journal of Modern Italian Studies 17, no. 3 (June 2012); and “Utopia/Dystopia,” American Art Journal 25, no. 2 (Summer 2011).

Greene was the recipient of a Bogliasco Fellowship in 2009, and in 2003 received a Fulbright Travel Grant to Italy and a predoctoral Rome Prize Fellowship in Modern Italian Studies at the American Academy in Rome. She regularly organizes and presents papers at scholarly symposia, and has cochaired sessions at the annual College Art Association conference and other events. She serves on the Center for Italian Modern Art’s Advisory Committee and the Bogliasco Foundation’s Selection Committee, and was a trustee of the Association of Art Museum Curators (2006–11). She has a Ph.D. in art history, and focused on 19th-century European art. ...more

Combine Editions
Vivien Greene’s books

Average rating: 4.12 · 123 ratings · 19 reviews · 23 distinct works

	Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897 by Vivien Greene, Various, Ylinka Barotto 4.06 avg rating — 16 ratings — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	The Third Mind: American Artists Contemplate Asia, 1860-1989 by Vivien Greene, Harry Harootunian, Richard King really liked it 4.00 avg rating — 9 ratings — published 2009 — 6 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Laurel for Libby: A Facsimile Edition of a Small Story Book Written for Graham Greene by his Wife, Vivien really liked it 4.00 avg rating — 7 ratings — published 2006	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	The Vivien Greene Dolls' House Collection by Vivien Greene, Margaret Towner 4.50 avg rating — 4 ratings — published 1995 — 6 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Harmony and Dissonance: Orphism in Paris, 1910–1930 it was amazing 5.00 avg rating — 2 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	English dolls' houses of the eighteenth and nineteenth centuries really liked it 4.00 avg rating — 2 ratings — published 1979 — 6 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Family dolls' houses really liked it 4.00 avg rating — 1 rating — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Utopia Matters: From Brotherhoods to Bauhaus really liked it 4.00 avg rating — 1 rating — published 2010 — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	RADICAL LIGHT Italy's Divisionist Painters 1891 - 1910 0.00 avg rating — 0 ratings — published 2008	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Aestheticism and Japan: The Cult of the Orient (The Third Mind: American Artists Contemplate Asia, 1860–1989 ) 0.00 avg rating — 0 ratings — published 2012	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars