Peter F. Smith

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Peter F. Smith


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Librarian Note: There is more than one author by this name in the Goodreads database.

Average rating: 3.94 · 35 ratings · 4 reviews · 31 distinct works
Architecture in a Climate o...

really liked it 4.00 avg rating — 11 ratings — published 2001 — 16 editions
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Building for a Changing Cli...

4.75 avg rating — 4 ratings — published 2009 — 7 editions
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The dynamics of urbanism

3.75 avg rating — 4 ratings — published 2007 — 10 editions
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Sustainability at the Cutti...

4.50 avg rating — 2 ratings — published 2002 — 5 editions
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Architecture and the human ...

really liked it 4.00 avg rating — 2 ratings3 editions
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Syntax of Cities

really liked it 4.00 avg rating — 2 ratings — published 2007 — 9 editions
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The Dynamics of Delight

3.50 avg rating — 2 ratings — published 2003 — 9 editions
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The Footprints of Maitland’...

liked it 3.00 avg rating — 2 ratings
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Energy: Building for the Th...

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it was amazing 5.00 avg rating — 1 rating — published 1998
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Eco-Refurbishment: A Practi...

really liked it 4.00 avg rating — 1 rating — published 2003
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More books by Peter F. Smith…
Quotes by Peter F. Smith  (?)
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“Samuel Taylor Coleridge speaks of the power of creative imagination which ‘reveals itself in the balance or reconciliation of opposite or discordant qualities; of sameness with difference; of the general with the (22>23) concrete; of the sense of novelty and freshness with old and familiar objects.[…] The inescapable truth is that aesthetic reward only follows when the pattern has been identified after a degree of effort . The idea of aesthetic reward is, for most, bound up with the concept of harmony.”
Peter F. Smith, The Dynamics of Delight

“…echo the Gerard Manley Hopkins line: ‘likeness tempered with difference’. So, the attainment of knowledge has affinities with the perception of harmony – order transcending complexity to establish a new concept with its unique elegance.”
Peter F. Smith, The Dynamics of Delight

“...in the tonic chord of G-major there is a significant level of clash between the wave profiles of the notes, but the rate of overlap or synchronisation exceeds the rate of clash, so order succeeds in outweighing complexity. In this one chord is played out the archetypal battle between order and anarchy. What matters is that there is a significant rate of conflict between consonance and dissonance. Harmony incorporates dissonance but synchrony outweighs conflict . This idea goes back at least as far as the medieval scholar Boethius who defined consonance or harmony as ‘a unified concordance of sounds dissimilar in themselves’.”
Peter F. Smith, The Dynamics of Delight

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