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Finn Brunton

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Finn Brunton


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Finn Brunton is assistant professor in the Department of Media, Culture, and Communication at New York University. He is the author of Spam: A Shadow History of the Internet and the coauthor of Communication and Obfuscation: A User’s Guide for Privacy and Protest. He has written for the Guardian, Artforum, and Radical Philosophy, among many other publications.

Average rating: 3.65 · 693 ratings · 98 reviews · 8 distinct worksSimilar authors
Obfuscation: A User's Guide...

3.61 avg rating — 355 ratings — published 2015
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Digital Cash: The Unknown H...

3.45 avg rating — 171 ratings8 editions
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Spam: A Shadow History of t...

3.94 avg rating — 129 ratings — published 2013 — 10 editions
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Media Technologies: Essays ...

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4.21 avg rating — 19 ratings — published 2014 — 7 editions
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Gaming the Metrics: Miscond...

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liked it 3.00 avg rating — 10 ratings3 editions
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AI & Conflicts. Volume 1

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Communication

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really liked it 4.00 avg rating — 4 ratings2 editions
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Obfuscation: A User's Guide...

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Quotes by Finn Brunton  (?)
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“Obfuscation is the deliberate addition of ambiguous, confusing, or misleading information to interfere with surveillance and data collection.”
Finn Brunton, Obfuscation: A User's Guide for Privacy and Protest

“Bitcoin was in theory and in practice inseparable from the process of computation run on cheap, powerful hardware: the system could not have existed without markets for digital moving images; especially video games, driving down the price of microchips that could handle the onerous business of guessing. It also had a voracious appetite for electricity, which had to come from somewhere - burning coal or natural gas, spinning turbines, decaying uranium - and which wasn't being used for something arguably more constructive than this discovery of meaningless hashes. The whole apparatus of the early twenty-first century's most complex and refined infrastructures and technologies was turned to the conquest of the useless. It resembled John Maynard Keynes's satirical response to criticisms of his capital injection proposal by proponents of the gold standard: just put banknotes in bottles, he suggested, and bury them in disused coal mines for people to dig up - a useless task to slow the dispersal of the new money and get people to work for it. 'It would, indeed, be more sensible to build houses and the like; but if there are political and practical difficulties in the way of this, the above would be better than nothing.”
Finn Brunton, Digital Cash: The Unknown History of the Anarchists, Utopians, and Technologists Who Created Cryptocurrency

“Some utopias become purer, harder, and harsher as they diminish, like an evaporating lake growing more saline every year in its shores of crystalline salt: think of the theorist-revolutionary Guy Debord, ostracizing and expelling people from the Situationist International movement until you could fit the future of artsy council communism around the back table of a Parisian bar. Some utopias dilute into the surrounding society that gives them context - the well-lit, spare, clean, glass-and-steel spaces of the Bauhaus are now the default settings for expensive apartments and bank lobbies, their mystic-visionary content reduced to homeopathic doses. Some die all at once with their founder or settle into a second act as businesses: silverware from the Oneida Perfectionists, hammocks from the Skinnerian behaviorist community Twin Oaks, or wind chimes from Arcosanti, which was once the be the germ of anthill arcologies honeycombing the planet.
Of all these ways to end, a handful of utopian projects -perhaps the most successful - evaporate in practice but produce a persistent icon of the future for a group or a subculture, a shared arrangement of visions, a magnetic field by which other people unknowingly set their compasses. Extropy was one of these.”
Finn Brunton, Digital Cash: The Unknown History of the Anarchists, Utopians, and Technologists Who Created Cryptocurrency



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