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Michel de Ghelderode

Michel de Ghelderode’s Followers (19)

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Michel de Ghelderode


Born
in Ixelles/Elsene, Belgium
April 03, 1898

Died
April 01, 1962

Genre


Michel de Ghelderode, pseudonyme d'Adémar Adolphe Louis Martens, était un écrivain belge d'origine flamande et d'expression française. Il a également utilisé d'autres pseudonymes: Philostene Costenoble, Jac Nolan et Babylas.

Michel de Ghelderode dans la Wikipédia française

Site consacré à Ghelderode (En français/In French)

Michel de Ghelderode, pseudoniem van Adémar Adolphe Louis Martens, was een Vlaamse schrijver die in het Frans schreef. Hij schreef ook onder de pseudoniemen Philostene Costenoble, Jac Nolan en Babylas.

Michel de Ghelderode in de Nederlandstalige Wikipedia


Michel de Ghelderode, nom de plume of Louis Adolphe Adémar Martens, was a Belgian writer of Flemish descent who wrote in French. He also used other pseudonyms: Philostene Cos
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Average rating: 3.76 · 350 ratings · 52 reviews · 71 distinct worksSimilar authors
Spells

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3.72 avg rating — 165 ratings — published 1941 — 18 editions
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Ghelderode: Seven Plays, Vo...

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4.23 avg rating — 30 ratings — published 1960 — 6 editions
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La Balade du grand macabre

3.73 avg rating — 33 ratings — published 1934 — 3 editions
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Escurial: Hop Signor!

3.17 avg rating — 18 ratings — published 2004 — 2 editions
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Escuriale - La scuola dei b...

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4.27 avg rating — 11 ratings — published 1927
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La mort du docteur faust / ...

4.56 avg rating — 9 ratings — published 2003
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Barabbas - Escurial

3.90 avg rating — 10 ratings8 editions
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PANTAGLEIZE

3.40 avg rating — 10 ratings — published 1929 — 4 editions
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Ghelderode: 3 Plays

really liked it 4.00 avg rating — 5 ratings — published 1990 — 3 editions
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Christopher Columbus

3.60 avg rating — 5 ratings — published 1927
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More books by Michel de Ghelderode…
Quotes by Michel de Ghelderode  (?)
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“I live outside the world in a universe I myself have created, like a madman or a holy visionary.”
Michel de Ghelderode, Spells

“The moral of this sad story—and the story of man is always sad, absurd, and void of meaning, as Shakespeare wrote—is that in our atomic and auto-disintegrated age, this age from which dreams and dreamers are banished in favor of the scientific nightmare and the beneficiaries of the future horror, a fellow like Pantagleize remains an archetype, an exemplary man, and a fine example who has nothing to do with that dangerous thing, intelligence, and a great deal to do with that savior, instinct. He is human in an age when all is becoming dehumanized. He is the last poet, and the poet is he who believes in heavenly voices, in revelation, in our divine origin. He is the man who has kept the treasure of his childhood in his heart, and who passes through catastrophes in all artlessness. He is bound to Parsifal by purity, and to Don Quixote by courage and holy madness. And if he dies, it is because, particularly in our time, the Innocents must be slaughtered: that has been the law since the time of Jesus. Amen!...”
Michel de Ghelderode, PANTAGLEIZE

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