Ellena Savage
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Blueberries: Essays Concerning Understanding
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published
2020
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5 editions
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By the River: Essays from the Water's Edge
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published
2024
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2 editions
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Yellow City
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The Emerging Writer: an Insider's Guide to Your Writing Journey (Volume 4)
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published
2013
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Open Secrets, Essays on the Writing Life
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published
2022
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2 editions
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Meanjin Vol 82, No 4
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The Lifted Brow #25
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published
2015
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Winter 2016 (Overland, #223)
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The Lifted Brow (#29)
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published
2016
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The Lifted Brow #28: The Art Issue
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published
2015
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“...and the story as it plays out in my mind is that I became a writer (if that was what it was) when I started to realise that I wasn't loved and that maybe I never would be. I was nineteen and poetry was snaking out of me because I felt badly treated, or I was newly aware that I'd colluded in my self-annihilation and the love I had sought up until then was shit. I became a writer when I learned that I was a person and not just a figure inside another person's libidinal imagination - I am still not entirely that, though, a person; still part of my brain is lobotomised by the fantasy of glory and worthiness in libidinal abjection and I have to somehow live with that.”
― Blueberries: Essays Concerning Understanding
― Blueberries: Essays Concerning Understanding
“Sadness is not always a terrible illness. Sadness is, perhaps, the most honest response to living.”
― Blueberries: Essays Concerning Understanding
― Blueberries: Essays Concerning Understanding
“When we say that a narrative is, or is not, someone’s ‘story to tell’, what we unwittingly suggest is that when the story is yours, as in it happened within time as you directly experience it, you are given some power over it. Is this the biggest betrayal of pop psychology via talk therapy? That in language a person can find sufficient tools to erect a life undisturbed by demons? Or the thought, even, that a person can comprehend what it is they have lived through.
- Survivors of all things, always trying to reconstruct the moment they survived through.
- Strange, though, that even as you narrate it, you get to the horror point, and you think, this time, it’ll go differently. But the film reel keeps playing through, all the way, and, whoosh: powerless.”
― Blueberries: Essays Concerning Understanding
- Survivors of all things, always trying to reconstruct the moment they survived through.
- Strange, though, that even as you narrate it, you get to the horror point, and you think, this time, it’ll go differently. But the film reel keeps playing through, all the way, and, whoosh: powerless.”
― Blueberries: Essays Concerning Understanding
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