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John Dunn

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July 2013

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I've been writing for golf/travel magazines for years and working as a caddie at clubs and resorts around the country and in Scotland to support my travel and writing. I've been very lucky to travel for months every year in between the winter and summer golf seasons and while I often felt like I was working to save for these trips, my every day life living and working in amazing places like Aspen Colorado, Malibu California, Bandon Oregon, the Hamtpons, St Andrews Scotland, Augusta Georgia, etc has often been as interesting and inspirational as my "travels". In fact, my everyday life often felt like traveling as I moved around so much and spent my afternoons and evenings and days off exploring my new homes... finding surfing and camping spo ...more

What Were You Doing in 1997?

Whenever I start feeling badly about how hedonistic the 1997 "Aspen" chapter of my book sounds, I watch this video and smile and think, "Aaah, the good old days!"

 Man! Sometimes I wish I could just live in ignorant '90s bliss all over again back when I thought "Internet" was a female intern, "China" just those dishes we never used, "Bin Laden" an instant soup, the "Iraq War" a three month war with Read more of this blog post »
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Published on January 29, 2014 12:02
Average rating: 3.98 · 215 ratings · 19 reviews · 1 distinct workSimilar authors
Loopers: A Caddie's Twenty-...

3.98 avg rating — 215 ratings — published 2013 — 9 editions
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“The mornings came hard, and our caddie master, Dick Millweed, had a temper that could make a hangover seem like a seismic fracture. He was a small man with a soft, friendly voice. He was not intimidating at all, until he lost it. In his defense, he took shit from all sides - from the members who wanted their favorite caddie and their preferred tee time, from the golf staff who wanted him to perform a million menial duties, and from us when we showed up bleary eyed and incoherent and sometimes didn't show up at all. And God forbid a caddie should stumble in late, because then Millweed's lips would begin to tremble and his blue eyes would explode from his head. They grew as large as saucers and shook as though his skull was suffering earthquake. And he appeared to grow with them. It was like some shaman or yogi trick. Pound for pound, I've never met anyone else who could so effectively deliver anger. He would yell, "You like fucking with me, don't you? You like making me look bad! You wake up and say, 'Today I'm gonna fuck with Millweed!' and it makes you happy, doesn't it?"

And we had no choice but to stand there and take it - hang our heads and blubber apologies and promise never to be hung over again, never to show up late again, because he held the ultimate trump card _ he could fire us and cut us off from the golden tit. But once we were out on the course walking it off, the hanover and any cares associated with it (including Millweed) evaporated into the light mountain air. And after the round, with our pockets replenished and our spirits restored by the carefree, self-congratulatory ebullience of the uberrich, we were powerless to resist the siren song of clinking glasses, the inviting golden light of the street lamps and tavern windows in town, and the slopeside hot tubs steaming under the stars. We all jumped ship and dined, danced, and romanced the night away and then were dashed against the rocks of Millweed's wrath all over again the next morning.”
John Dunn, Loopers: A Caddie's Twenty-Year Golf Odyssey

“Even when you're keeping score, golf is all about focusing on the shot at hand, the total score being a sum of those shots. On magic mushrooms, each shot was an act of self-expression - a karate kick, a pirouette, a paintbrush stroke. The course was an aren, a stage, and a canvas.

That's the way it felt playing in the backcountry, too. Going beyond the simple visual appreciation of a landscape and interacting with it beyond the reach of the physical body. Launching shots across canyons and rivers and down mountainsides and beaches. The motion of the body determining the motion of the ball - its flight an extension of the body like a spider riding the wind on a silken thread or a perfectly cast fly arcing down onto the surface of the water.

This is the part of the game that is hard for nongolfers to see. You have to play to feel it. It isn't visible through the TV screen or from outside the picket fences and privet hedges. The forest gets lost in tress of tartan and argyle, visors and V-necks. Golf seems to be one thing but is very much another, and backcountry golf and mushroom night golf are as true to the nature of the game as any stuffy country club championship or Saturday Nassau or fourball.”
John Dunn, Loopers: A Caddie's Twenty-Year Golf Odyssey

“A weird, lovely, fantastic object out of nature like Delicate Arch has the curious ability to remind us - like rock and sunlight and wind and wildflowers - that out there is a different world, older and greater and deeper by far than ours, a world which sustains the little world of man as sea and sky surround and sustain a ship. For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous, then all which shaped it is marvelous, and our journey here on Earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.”
Edward Abbey "Desert Solitaire"

“No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one’s existence--that which makes its truth, its meaning--its subtle and penetrating essence. It is impossible. We live, as we dream--alone.”
Joseph Conrad, Heart of Darkness

“Full circle from the tomb of the womb to the womb of the tomb we come, an ambiguous, enigmatical incursion into a world of solid matter that is soon to melt from us like the substance of a dream.”
Joseph Campbell Hero with a 1000 Faces

“The cactus of the high desert is a small grubby, obscure and humble vegetable associated with cattle dung and overgrazing, interesting only when you tangle with it the wrong way. Yet from this nest of thorns, this snare of hooks and fiery spines, is born once each year a splendid flower. It is unpluckable and except to an insect almost unapproachable, yet soft, lovely, sweet, desirable, exemplifying better than the rose among thorns the unity of opposites”
Edward Abbey "Desert Solitaire"

“He knew that the very memory of the piano falsified still further the perspective in which he saw the elements of music, that the field open to the musician is not a miserable stave of seven notes, but an immeasurable keyboard (still almost entirely unknown) on which, here and there only, separated by the thick darkness of its unexplored tracts, some few among the millions of keys of tenderness, of passion, of courage, of serenity, which compose it, each one differing from all the rest as one universe differs from another, have been discovered by a few great artists who do us the service, when they awaken in us the emotion corresponding to the theme they have discovered, of showing us what richness, what variety lies hidden, unknown to us, in that vast, unfathomed and forbidding night of our soul which we take to be an impenetrable void.”
Marcel Proust, Swann’s Way

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