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Nicolas Tackett
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The Origins of the Chinese Nation: Song China and the Forging of an East Asian World Order
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published
2017
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5 editions
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The Destruction of the Medieval Chinese Aristocracy
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published
2014
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8 editions
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“In reality, two factors often tied to the emergence of nationalism in the early modern West, general education (as distinct from specialized training) and commercial printing, already existed in China by the eleventh century.20 Under such circumstances, one might expect the appearance of a new form of collective consciousness in Northern Song China as well. The relationship between the Song nation and the modern Chinese nation is, however, complex. Besides adhering to a very different ideology of political legitimacy, Northern Song Chinese differed from modern nationalists in how they defined the boundaries of their state. Contemporary China is conceived today to be a multiethnic state composed of fifty-six “nationalities.” Its “natural” territory extends deep into Central Asia. In its Song iteration, as will be clear in a later chapter, China was imagined to be a monoethnic nation that controlled neither Manchuria, nor the modern peripheral provinces of Guizhou, Yunnan, Tibet, and Xinjiang.”
― The Origins of the Chinese Nation: Song China and the Forging of an East Asian World Order
― The Origins of the Chinese Nation: Song China and the Forging of an East Asian World Order
“During the eleventh century, men at the court of Song Dynasty China came to imagine in a new way the political entity to which they belonged. They started to articulate with far greater precision its spatial extent – which they now saw as bounded by natural topographic features as well as by the historical Great Wall – while simultaneously de-emphasizing an older theory of sovereignty premised on the idea of universal empire.”
― The Origins of the Chinese Nation: Song China and the Forging of an East Asian World Order
― The Origins of the Chinese Nation: Song China and the Forging of an East Asian World Order
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