Gilda Williams
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How to Write About Contemporary Art
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published
2014
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11 editions
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The Gothic
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Boris Mikhailov (Phaidon 55S)
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published
2001
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3 editions
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On&By Andy Warhol
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Damien Hirst: Cherry Blossoms
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Yayoi Kusama - Pumpkins
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Strange Days: British Contemporary Photography
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published
1998
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2 editions
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The Double
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published
2001
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3 editions
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Vanitas: The Transience of Earthly Pleasures
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published
2010
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Auction Book 1994: Worldwide Contemporary Art Results from 1993/Il Libro Delle Aste : Risultati Delle Aste D'Arte Contemporanea Nel Mondo
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published
1994
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“Many cherish art as a special haven within an over-schematized world, where ambiguities can thrive. If an artwork’s message is self-evident, maybe it’s just an illustration, a decorative non-entity, a well-executed craft object, hardly counting as ‘significant’ art at all. It’s not just that without an explanation the viewer is lost; without some written framework to steady it, the art itself risks losing its way, never gaining traction in the contemporary art system. From this perspective, both viewer and artwork alike are as if handicapped without the art-world’s special assistance.”
― How to Write About Contemporary Art
― How to Write About Contemporary Art
“Good art-writers break conventions, hold a few sacrosanct, innovate their own. They measure their limits by instinct, not by rote. Mostly they learn by seeing miles of art, and reading good literature in bulk. There is no substitute, for a writer, for possessing a natural ear for language; a rich vocabulary; a flair for varied sentence structures; an original opinion; some arresting ideas to share. I can teach you none of that.”
― How to Write About Contemporary Art
― How to Write About Contemporary Art
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