Robin M. Jensen

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Robin M. Jensen


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Robin M. Jensen (PhD, Columbia University and Union Theological Seminary) is Luce Chancellor’s Professor of the History of Christian Art and Worship at Vanderbilt University in Nashville, Tennessee. She has authored several books, including Face to Face: Portraits of the Divine in Early Christianity and Understanding Early Christian Art.

Average rating: 4.03 · 192 ratings · 30 reviews · 29 distinct worksSimilar authors
The Substance of Things See...

3.97 avg rating — 60 ratings — published 2004 — 9 editions
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Baptismal Imagery in Early ...

3.90 avg rating — 50 ratings — published 2012 — 3 editions
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The Cross: History, Art, an...

4.10 avg rating — 42 ratings3 editions
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Visual Theology: Forming an...

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4.15 avg rating — 13 ratings — published 2009 — 4 editions
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From Idols to Icons: The Em...

really liked it 4.00 avg rating — 8 ratings2 editions
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Living Water: Images, Symbo...

it was amazing 5.00 avg rating — 3 ratings — published 2010
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Understanding Early Christi...

4.33 avg rating — 3 ratings4 editions
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Living Water: Images, Symbo...

really liked it 4.00 avg rating — 1 rating — published 2010
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Dirty Words

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0.00 avg rating — 0 ratings — published 2010
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Living Water: Images, Symbo...

0.00 avg rating — 0 ratings — published 2010
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More books by Robin M. Jensen…
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“The cross began to turn up regularly on Christian monuments as well as small personal items fairly soon after Constantine’s prophetic heavenly vision and the momentous discovery of the relic of wood of the True Cross in Jerusalem. Because both of these events were associated with the imperial house, the emergence of the cross often has been seen at least initially as a symbol, employed by the emperor or his agents to be a sign of divine protection and patronage. Yet, almost immediately following its discovery, the cross began to distinguish itself from those imperial associations to become a devotional object in itself, without bearing any necessary or direct political or military meaning.”
Robin M Jensen, The Cross: History, Art, and Controversy

“However one evaluates the character of Constantine’s conversion, he clearly believed that the Christian God was his ally. Thus the cross, or its counterpart, the christogram, became a trophy of victory, not only over demonic foes but also over ordinary human ones.”
Robin M Jensen, The Cross: History, Art, and Controversy

“What Constantine ordered, however, was not a cross-shaped object but rather a long, gilded spear, bisected by a horizontal bar, topped with a golden and gemmed wreath that surrounded two letters, chi and rho: the first two letters of Christos. Like Lactantius, Eusebius explains that this looked like the intersection of the Latin letters X and P. In addition, a banner hung from the bar, embroidered with portraits of the emperor with his two sons.”
Robin M Jensen, The Cross: History, Art, and Controversy

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