Will Ashon
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Chamber Music: Wu-Tang and America (in 36 Pieces)
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published
2018
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10 editions
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Strange Labyrinth: Outlaws, Poets, Mystics, Murderers and a Coward in London's Great Forest
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The Passengers
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Arboreal: A Collection of Words from the Woods
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published
2016
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The Open Pen Anthology
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published
2016
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Not Far From The Junction
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Clear Water
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published
2006
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3 editions
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The Heritage
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Rafal's Saga
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When is the present
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“And that’s why we should stop. Let’s stop before everything went so wrong. Let’s hold time still. Let’s remember him as he was on Enter—not crazy at all, only brilliant and brave, the most radical member of a radical Clan, whose apparent lack of control was predicated on the most complete control. Let’s remember him whip-thin, his head tilted, gold teeth showing, his eyes aggressively wide, wiry dreads moving away from his scalp like spilt lines of paint or the tentacular extrusions of his brilliant Black mind. Let’s let him win. Let’s remember those vocals, uninhibited by any rules except those he chose. Let’s focus always on the exhilaration, the feeling we had when we first heard him, the disbelief, the laughter which bubbled up like it does in children. Not the laughter of mockery, but the laughter of pure joy, the laughter of disbelief and amazement, the laughter which is all you can manage when confronted by the undeniable, surprising beauty of the world. Let’s let him breathe.”
― Chamber Music: Enter the Wu-Tang
― Chamber Music: Enter the Wu-Tang
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