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Robert McFarlane

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Robert McFarlane



Average rating: 4.42 · 33 ratings · 3 reviews · 28 distinct works
‫الأرض السفلية

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The Lost Spells 12-Month 20...

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Modelling and AutoCAD 2004

it was ok 2.00 avg rating — 2 ratings — published 1997 — 6 editions
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Advancing With Autocad R13 ...

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Using Autolisp With Autocad

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Modelling with AutoCAD R14:...

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Beginning Autocad R14: For ...

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Beginning AutoCAD

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Advancing with AutoCAD LT

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Modelling with AutoCAD R14:...

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More books by Robert McFarlane…
Quotes by Robert McFarlane  (?)
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“To be human means above all to bury,’ declares Robert Pogue Harrison in his study of burial practices, The Dominion of the Dead, boldly drawing on Vico’s suggestion that humanitas in Latin comes first and properly from humando, meaning ‘burying, burial’, itself from humus, meaning ‘earth’ or ‘soil’.

We are, certainly, a burying species as well as a building species – and our predecessors were buriers too.”
Robert McFarlane

“Dissonance is produced by any landscape that enchants in the present but has been a site of violence in the past. But to read such a place only for its dark histories is to disallow its possibilities for future life, to deny reparation or hope – and this is another kind of oppression. If there is a way of seeing such landscapes, it might be thought of as ‘occulting’: the nautical term for a light that flashes on and off, and in which the periods of illumination are longer than the periods of darkness. The Slovenian karst is an ‘occulting’ landscape in this sense, defined by the complex interplay of light and dark, of past pain and present beauty. I have walked through numerous occulting landscapes over the years: from the cleared valleys of northern Scotland, where the scattered stones of abandoned houses are oversung by skylarks; to the Guadarrama mountains north of Madrid, where a savage partisan war was fought among ancient pines, under the gaze of vultures; and to the disputed valleys of the Palestinian West Bank, where dog foxes slip through barbed wire. All of these landscapes offer the reassurance of nature’s return; all incite the discord of profound suffering coexisting with generous life.”
Robert McFarlane

“That night, though, far out into the North Atlantic, there were no lights to be seen, for there was no shipping. The deep-water lanes that ducted the big freighters stayed much closer to the Lewis mainland. There was the Hebridean, 500 yards or so off our port stern, its green starboard lamp winking as it rose and fell in the waves. Otherwise, the only lights were celestial. The star-patterns, the grandiose slosh of the Milky Way. Jupiter, blazing low to the east, so brightly that it laid a lustrous track across the water, inviting us to step out onto its swaying surface. The moon, low, a waxing half, richly coloured – a red butter moon, setting down its own path on the water. The sea was full of luminescent plankton, so behind us purled our wake, a phosphorescent line of green and yellow bees, as if the hull were setting a hive aswarm beneath us. We were at the convergence of many paths of light, which flexed and moved with us as we headed north.”
Robert McFarlane

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