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Miryam Sas
Average rating:
3.64
·
61
ratings ·
6
reviews ·
7 distinct works
Tokyo 1955-1970: A New Avant-Garde
by
Michio Hayashi
,
Michio Hayashi
(Text)
,
Miryam Sas
(Text)
3.75 avg rating — 32 ratings
— published 2012
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Fault Lines: Cultural Memory and Japanese Surrealism
3.25 avg rating — 12 ratings
— published 2002 —
2 editions
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Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return (Harvard East Asian Monographs)
3.71 avg rating — 7 ratings
— published 2010 —
2 editions
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The Gaze of Things: Japanese Photography in the Context of Provoke
by
Nuria Enguita
,
Akihito Yasumi
(Contributor)
,
Miryam Sas
(Contributor)
4.25 avg rating — 4 ratings
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The Pink Book. The Japanese Eroduction and its Contexts
by
Abé Mark Nornes
(Editor)
,
Roland Domenig
(Contributor)
,
Kimihiko Kimata
(Contributor)
3.67 avg rating — 3 ratings
— published 2014 —
2 editions
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Feeling Media: Potentiality and the Afterlife of Art
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3.00 avg rating — 3 ratings
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3 editions
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[Fault Lines: Cultural Memory and Japanese Surrealism (Cultural Memory in the Present)] [By: Sas, Miryam] [February, 2002]
by
Miryam Sas
,
Unknown Author
0.00 avg rating — 0 ratings
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