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Edward  James

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Edward James


Born
in Solihull, Warwickshire, The United Kingdom
May 14, 1947

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Librarian Note: There is more than one author by this name in the Goodreads database.

Edward James is Professor of Medieval History at University College Dublin. He won the University of California's Eaton Prize for his book Science Fiction in the Twentieth Century (1994) and a Hugo Award for (jointly) editing The Cambridge Companion to Science Fiction. He co-wrote, with Farah Mendlesohn, A Short History of Fantasy (2009) and he has co-edited a number of other books, all of them essay collections, with Farah Mendlesohn and others. One of these is the first and only academic book on Terry Pratchett, called Terry Pratchett: Guilty of Literature (first edition 2000, shortlisted for a Hugo Award in 2001). He is currently working on book-length s
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Science Fiction in the Twen...

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Europe's Barbarians, AD 200...

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Britain in the First Millen...

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Parliament of Dreams

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Quotes by Edward James  (?)
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“From its earliest forms, utopian fiction has depicted imaginary just and rational societies established in opposition to exploitative worldly ones. Marx was famously reluctant to describe the utopian society that would succeed the successful proletarian revolution, describing it only in the vaguest terms in the conclusion of the Communist Manifesto. Nonetheless he affirmed its importance as an historical goal. Marx also valued technology as a vital tool of human liberation. He believed that in a just world technological innovations were the guarantors of human freedom from toil, just as they were also the means of mass enslavement in an exploitative order. These ideas were forged in Marxist thought into a story of social and technological liberation that had clear affinities with the basic stories of”
Edward James, The Cambridge Companion to Science Fiction

“Watch what I do –           that reflects who I am. Don’t just listen to what I say, that only reflects who I want to be.”
Edward James, A Matter Of Principle

“Contemporary Marxist sf theory from the European tradition can be accused of paying insufficient attention to the ways technoscientific innovations have transformed social life globally – to their potential to transform the means of production, and with them world models, cultural values and human bodies. Jameson has taken on the challenge, after a fashion, in his work on postmodernism and Third World cinema, but his interest in this area is primarily in the effect of technology on art, drawing conclusions about world-currents through elite artefacts.”
Edward James, The Cambridge Companion to Science Fiction

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