Edward James
Born
in Solihull, Warwickshire, The United Kingdom
May 14, 1947
Website
Twitter
Genre
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The Cambridge Companion to Science Fiction
by
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published
2003
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17 editions
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The Cambridge Companion to Fantasy Literature
by
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published
2012
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10 editions
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The Franks
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published
1988
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6 editions
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Lois McMaster Bujold
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published
2015
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4 editions
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Science Fiction in the Twentieth Century
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published
1994
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4 editions
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Europe's Barbarians, AD 200-600
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published
2009
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13 editions
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The Origins of France (New Studies in Medieval History, 1)
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published
1989
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6 editions
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Britain in the First Millennium
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published
2000
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3 editions
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Parliament of Dreams
by |
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The Merovingian archaeology of south-west Gaul (BAR supplementary series)
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“From its earliest forms, utopian fiction has depicted imaginary just and rational societies established in opposition to exploitative worldly ones. Marx was famously reluctant to describe the utopian society that would succeed the successful proletarian revolution, describing it only in the vaguest terms in the conclusion of the Communist Manifesto. Nonetheless he affirmed its importance as an historical goal. Marx also valued technology as a vital tool of human liberation. He believed that in a just world technological innovations were the guarantors of human freedom from toil, just as they were also the means of mass enslavement in an exploitative order. These ideas were forged in Marxist thought into a story of social and technological liberation that had clear affinities with the basic stories of”
― The Cambridge Companion to Science Fiction
― The Cambridge Companion to Science Fiction
“Watch what I do – that reflects who I am. Don’t just listen to what I say, that only reflects who I want to be.”
― A Matter Of Principle
― A Matter Of Principle
“Contemporary Marxist sf theory from the European tradition can be accused of paying insufficient attention to the ways technoscientific innovations have transformed social life globally – to their potential to transform the means of production, and with them world models, cultural values and human bodies. Jameson has taken on the challenge, after a fashion, in his work on postmodernism and Third World cinema, but his interest in this area is primarily in the effect of technology on art, drawing conclusions about world-currents through elite artefacts.”
― The Cambridge Companion to Science Fiction
― The Cambridge Companion to Science Fiction
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