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Mark Wigley

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Mark Wigley


Born
New Zealand

Mark Wigley is Professor and Dean Emeritus at Columbia GSAPP. He served as Dean from 2004 to 2014. Wigley has written extensively on the theory and practice of architecture and is the author of Constant’s New Babylon: The Hyper-Architecture of Desire (1998); White Walls, Designer Dresses: The Fashioning of Modern Architecture (1995); and The Architecture of Deconstruction: Derrida’s Haunt (1993). He co-edited The Activist Drawing: Retracing Situationalist Architectures from Constant’s New Babylon to Beyond (2001).

In 2005 he co-founded Volume magazine with Rem Koolhaas and Ole Bouman as a collaborative project by Archis (Amsterdam), AMO (Rotterdam), and C-lab (Columbia University). Wigley curated the exhibition Deconstructivist Architecture
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Average rating: 4.21 · 703 ratings · 44 reviews · 77 distinct worksSimilar authors
The Architecture of Deconst...

3.64 avg rating — 36 ratings — published 1993 — 3 editions
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Constant's New Babylon

4.36 avg rating — 28 ratings — published 1999 — 2 editions
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White Walls, Designer Dress...

4.04 avg rating — 27 ratings — published 1996 — 2 editions
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Buckminster Fuller Inc.: Ar...

4.63 avg rating — 8 ratings — published 2014
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Cutting Matta-Clark: The An...

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4.25 avg rating — 8 ratings — published 2014
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Konrad Waschmann's Televisi...

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Casa Da Música, Porto

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Safeguarding Adults At Risk...

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2000+ acil mimarlık teorisi...

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SANAA: Serpentine Gallery P...

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liked it 3.00 avg rating — 1 rating — published 2010
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“The first treatise on the interior of the body, which is to say, the treatise that gave the body an interior , written by Henri De Mondeville in the fourteenth century, argues that the body is a house, the house of the soul, which like any house can only be maintained as such by constant surveillance of its openings. The woman’s body is seen as an inadequate enclosure because its boundaries are convoluted. While it is made of the same material as a man’s body, it has ben turned inside out. Her house has been disordered, leaving its walls full of openings. Consequently, she must always occupy a second house, a building to protect her soul. Gradually this sense of vulnerability to the exterior was extended to all bodies which were then subjected to a kind of supervision traditionally given to the woman. The classical argument about her lack of self-control had been generalized.”
Mark Wigley



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