Charles Jencks

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Charles Jencks


Born
in Baltimore, Maryland, The United States
June 21, 1939


Charles Alexander Jencks (born 21 June 1939) is an American architecture theorist and critic, landscape architect and designer. His books on the history and criticism of modernism and postmodernism are widely read in architectural circles. He studied under the influential architectural historians Sigfried Giedion and Reyner Banham. Jencks now lives in Scotland where he designs landscape sculpture.

Average rating: 3.93 · 971 ratings · 80 reviews · 92 distinct worksSimilar authors
The Language of Post-Modern...

4.07 avg rating — 142 ratings — published 1977 — 28 editions
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Modern Movements in Archite...

3.81 avg rating — 93 ratings — published 1973 — 10 editions
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What is Post-Modernism?

3.79 avg rating — 82 ratings — published 1986 — 14 editions
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The Architecture of the Jum...

3.68 avg rating — 77 ratings — published 1995 — 9 editions
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Theories and Manifestoes of...

3.84 avg rating — 63 ratings — published 1997 — 8 editions
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The Iconic Building

3.94 avg rating — 47 ratings — published 2005 — 4 editions
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LeCorbusier and the Tragic ...

3.79 avg rating — 43 ratings — published 1974 — 10 editions
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The Garden of Cosmic Specul...

4.19 avg rating — 36 ratings — published 2003 — 4 editions
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Adhocism: The Case for Impr...

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3.89 avg rating — 37 ratings — published 1972 — 13 editions
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The Story of Post-Modernism...

4.23 avg rating — 30 ratings — published 2011 — 12 editions
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More books by Charles Jencks…
Quotes by Charles Jencks  (?)
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“A recurrent theme of this book is that architects, fairly low in the chain of command and needing jobs, are prone to compromise with the state and the establishment. Very rarely do they resist the zeitgeist. On a political level such compromise leads to the folly of invading Vietnam, Iraq and Afghanistan, follies of modern complicity too obvious to need comment. On an architectural level they lead to tearing down historic districts, building leviathans for multinationals or, for instance, constructing with cheap building systems that soon collapse.”
Charles Jencks, The Story of Post-Modernism: Five Decades of the Ironic, Iconic and Critical in Architecture

“…every act, object and statement that man perceives is meaningful (even “nothing”) and […] the frontiers of meaning are always, momentarily, in state of collapse and paradox.”
Charles Jencks, Meaning in architecture;

“Whereas art critics are ready to accept-indeed are looking for-the new fabrication of a consistent visual language, architectural critics, like the general public, are much more conservative and unwilling to accept the introduction of new codes.”
Charles Jencks, Adhocism: The Case for Improvisation
tags: codes

Topics Mentioning This Author

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SA Book & Challen...: The Lifetime of Books 12 61 Jan 12, 2011 07:27AM  
The History Book ...: * ARCHITECTURE 114 462 Jan 23, 2019 07:01PM  


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