Aurelian Craiutu

“Reaching out to individuals of different ideological persuasions and starting a dialogue with them demanded then (and still requires today) a particular form of courage and fortitude that not everyone has. It also presupposes a particular style of discourse that avoids making reproaches and tirades against alleged 'scoundrels' and traitors with whom no dialogue is conceivable. 'I learned to respect other people's ideas,' [Norberto] Bobbio confessed, 'to pause before the secret of every conscience, to understand before arguing, and to argue before condemning.' He had always been a person 'more interested in dialogue than conflict' and loathed extremist or intransigent positions on all sides.”
― Aurelian Craiutu, Faces of Moderation: The Art of Balance in an Age of Extremes

“One of the best means of preserving the balance of political community and promoting the necessary social and political changes is by keeping the dialogue open with all the political actors who accept the basic rules of the game and are committed to preserving the basic values of the society. This ... explains why many of the thinkers studied in this book, from [Raymond] Aron and [Norberto] Bobbio to [Adam] Michnik, successfully practiced the art of dialogue across the aisle and refused to see the world in black-and-white contrasts. If they adopted the role of committed or engaged spectators, they also maintained a certain degree of detachment and skepticism in their attitudes and political judgments. Their invitation to dialogue and their willingness to speak to their critics illustrated their courage and determination not to look for 'safe spaces' and lukewarm solutions. Instead, they saw themselves as mediators whose duty was to open a line of communication with their opponents who disagreed with them. The dialogue they staged was at times difficult and frustrating, and their belief in the (real or symbolic) power of discussion was an open act of defiance against the crusading spirit of their age, marked by political sectarianism, monologue, and ideological intransigence. Aron and the other moderates studied here were convinced that we can improve ourselves not so much by seeking a fictitious harmony with our critics as by engaging in an open debate with them, as long as we all remain committed to civility and rational critique. In this regard, they all acted as true disciples of Montaigne, who once acknowledged that 'no premise shocks me, no belief hurts me, no matter how opposite they may be. ... When I am contradicted it arouses my attention not my wrath.' This is exactly how Aron and other moderates felt and behaved. They were open to being challenged and did not shy away from correcting others when they thought fit. Yet, in so doing, they did not simply seek to refute or defeat their opponents' arguments, being aware that the truth is almost never the monopoly of a single camp or group.”
― Aurelian Craiutu, Faces of Moderation: The Art of Balance in an Age of Extremes