Nominations for our book for June 2025 > Likes and Comments
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1. The Last Dekrepitzer
2. The Crate: A Story Of War, A Murder, And Justice
3. Wayfarers
4. The Delegation
5. Stories My Father Told Me: From Warsaw, Moscow, Algeria, Siberia, Kazakhstan, Dominican Republic
6. Diaspora
7. Ash on the Vine

The novel recounts the story of a Hasidic Rebbe, the sole survivor of his sect, who is discovered fiddling blues, gospel and niggunim in a New York subway station in 1962. David Stern, the Starr Professor of Jewish Literature at Harvard wrote, "In telling this story of the last surviving rebbe of a Hasidic dynasty passing as a Black street-fiddler, Howard Langer has discovered a new idiom of American Jewish writing. A brilliant re-imagining of the legend of the hidden righteous soul told as though the melodies of Hasidic niggunim were blues." Marc Katz, reviewing the book for the Jewish Book Council, wrote, "Langer is a talented builder of worlds who shines the most when creating setting and mood. Through his prose, one gets a real sense of what it might have been like to live in a shtetl, the Jim Crow South, and twentieth century Harlem. Langer’s characters are also vivid.... The Last Dekrepitzer is a novel that will surprise readers with its depth and introduce them to one of the more unique characters to appear on the contemporary Jewish literary scene." Michael Krasny in his review in Moment wrote: :There is much to be charmed by in this novel and even more to learn from it."
Others have been effusive:
"This is a terrific book. Beautifully written and cleverly plotted. It surprises the reader with twists and turns but makes the course of events seem perfectly natural. Unlike many authors writing about Jewish matters, Langer brings a wealth of authentic learning to the book, which adds much to the feeling that this ‘unbelievable’ story of a rebbe without Hasidim is perfectly believable! The book is deeply moving. Themes of astounding loss and a hard-won kind of redemption merge with great power."
Barry W. Holtz, Baumritter Professor of Jewish Education, Jewish Theological Seminary, editor of Back to the Sources: Reading the Classic Jewish Texts and author of Rabbi Akiva: Sage of the Talmud (Yale Jewish Lives)
"Langer brings to life the two very different worlds he imagines in compelling detail. It is a powerful and deeply moving story, and it will stay with me for a long time."
Martha Himmelfarb, William H. Danforth Professor of Religion Emerita, Princeton University
"If you liked James McBride’s novels about the layered connections between American Jews and Blacks, you will love The Last Dekrepitzer. Shmuel Meir Lichtbencher is an inspired Hasidic rebbe and fiddler, the only survivor of a fictional Polish shtetl. In rural Mississippi, he lives among African Americans and learns their English and music, but his fiddling of niggunim, wordless melodies with which he confronts God, is the universal language that saves him as he traverses post-World War II America. Langer’s prose is as inspired as Shmuel Meir’s fiddling."
KATHRYN HELLERSTEIN, Professor of Germanic Studies (Yiddish), University of Pennsylvania, co-editor of The Norton Anthology of Jewish American Literature


The Crate: A Story Of War, A Murder, And JusticeThe Crate: A Story Of War, A Murder, And Justice


I love this! As an author (and particularly as one who has been pressed into a lot of self-publishing these days because publishers are a bit skittish around Jewish stories...) I'm particularly grateful for the opportunity to tell you about my work.
In this category, might I suggest my novel, "Wayfarers" (Wayfarers
It's a dystopian sci-fi adventure inspired by the Exodus story (so, perhaps more appropriate this month than in June?)
"Wayfarers" is my only book that doesn't rely on images for its storytelling. Mostly, I write comic books and graphic novels.
For this group, if I may suggest another title, I'd like to suggest "Ben Mortara and the Thieves of the Golden Table." Ben Mortara and the Thieves of the Golden Table
Originally published as a comic book series, this graphic novel is a fun, globe-trotting archaeological adventure - a Jewish thrill ride akin to "Indiana Jones" with a touch of Solomonic folklore and ancient history thrown in for good measure. Though it's safe and accessible enough for kids to read, I wrote it with enough depth and complexity to make it enjoyable for adults, too.
Since it is self-published, the price is somewhat high, unfortunately. I can't print in high enough volume to bring the price down (yet!)
I've got more fun stuff that I'd love to share, but want to give other writers room to tell us what amazing things they've written! If you're curious to dig deeper, here's my Goodreads profile: Arnon Z. Shorr





Thank you for your consideration!

Thank you, Brina! I think it's really amazing that you're creating this opportunity for authors to promote their work like this! I understand why it's important to limit author promotions most of the time, but the occasional soap box is very appreciated.

Im guessing notifications are still an issue as I thought we would be inundated with author nominations. Thank you Arnon for your enthusiasm.


My father, Rafał Feliks Buszejkin, was born in Warsaw in 1912 to a Jewish family that left Warsaw in 1914 for Moscow to escape the Germans, and then returned to Warsaw in 1917 to escape the Bolsheviks.
He was a man who, in his youth, boxed, raced bicycles, rode horses, and sometimes got into fights. As a teenager in Warsaw in 1930, he played poker and hooky with a band of truants and failed his last year of high school. In fall of 1932 he went to Algeria to study agronomy and while there he spent time with a community of Sephardic Jews in a small desert town where he established a Maccabi sports club. During the war, while exiled to Kazakhstan, he was put in charge of the agriculture of five kolkhozes and slept in a yurt. And after the war, he spent six months on the French Riviera, then lived for two years in a Jewish farming collective in Sosua, Dominican Republic. He spoke five languages, but preferred to swear in Russian. He was a master of resilience and told some good stories.
I wrote my book based on a memoir he wrote late in his life (his manuscript is now at the YIVO archive), keeping it as true to his telling as possible. My father was a Holocaust survivor who was never in a German camp. He was one of over 230,000 Polish Jews who survived the war because they were trapped in the Soviet Union. Many of them did not consider themselves survivors because they didn't suffer what those who had remained in Poland did. And not many have told their stories.

I would like to nominate my book, Diaspora! Diaspora is a sweeping and deeply personal novel exploring the Jewish diaspora through the centuries-long journey of the Vostęvskie family. Spanning from their near-mythical roots in a Polish farming village, to the merchant ships and sprawling shanties of port cities across the globe, this epic tale of survival, love, and loss highlights the complexities of identity, assimilation, and the human condition.
With lyrical prose and a nuanced understanding of the Jewish experience, this tale weaves together historical fiction, a family's saga, and deeper philosophical inquiry. As the Vostęvskies navigate the ravages of world war, forced migration, and unrequited love, they must confront the ultimate question: Can a people thrive when so much has been lost to time?
A poignant and thought-provoking exploration of heritage, belonging, and the search for meaning, DIASPORA will resonate with anyone with a soul to feed.
With lyrical prose and a nuanced understanding of the Jewish experience, this tale weaves together historical fiction, a family's saga, and deeper philosophical inquiry. As the Vostęvskies navigate the ravages of world war, forced migration, and unrequited love, they must confront the ultimate question: Can a people thrive when so much has been lost to time?
A poignant and thought-provoking exploration of heritage, belonging, and the search for meaning, DIASPORA will resonate with anyone with a soul to feed.


Plus I highlighted it in Latest Group News. Hopefully that's helping to get the word out. 📣

“Very prescient and very moving.” Malcolm Stern, psychotherapist and author of
Slay Your Dragons With Compassion.
“From the ashes of the Holocaust in Europe, across Iraq and India, to the fruit on the vines
in Israel over three generations. This is the journey Michelle Shine takes us on in her
fabulous novel. Ash on the Vine is a story of survival, of Holocaust secrets, love and
revenge. It is a psychological thriller that kept me on the edge of my seat until the very end.
It is also packed with information and relationships about the people and conflicts of the
Middle East. Shine is a writer who clearly researches her subject, showing analytical skills
and lateral thought that elevates this novel to a cut above.” Sharon Klaff, independent
journalist.
“In uncertain times, this page-turning book of ordinary people doing extraordinary things,
can give us all the courage we lack - yet need - to face our own fears and uncertainties in
turbulent times.” Tal Hartuv, author of The Rage Less Traveled.
“Beautifully written family saga cum political thriller that encapsulates a breadth of
emotions so prevalent in our time. I couldn’t put it down.” Amanda Weinberg, author
of The Italian Bookshop Amongst the Vines.
“Ash on the Vine is a beautifully written book by a thoughtful writer who understands that to
shut away the painful past exposes us to repeating it.” Dr Ed Bonner, author of Colour
Me White
"Ash on the Vine is a complex family story that offers an emotive and thought-provoking look
at the impact of a traumatic past, secrets kept hidden and wounds that haven’t healed.”
Love Reading
"Not only is this a great story, brilliantly written, but it is also provides an incredibly well researched set of insights into the history, people, politics and geography of Israel (and even its excellent wines!). Anybody who wants to learn more about this (without the usual mainstream bias) while following a real thriller should read this book." Professor Norman Fenton


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