Quo’s review of Dubliners > Likes and Comments

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message 1: by Jim (new)

Jim Fonseca Bill, like you I've read Dubliners a couple of times. I like your use of the term confinement. I've noticed that a lot in other Irish authors too such as the many books I've read by William Trevor. People trapped in tedious boring lives and no wait out. I wonder if the on-going Irish economic miracle will ruin Irish literature? LOL


message 2: by Quo (new)

Quo Jim: Thanks for your comment. I suspect that Dublin & Ireland in general are vastly different today than when James Joyce declared the Irish a "priest-ridden race". Today, they may even be importing priests from Africa & elsewhere to cover a shortage. Beyond that, jobs in technology & other newer professions seem to have changed the Irish landscape, with a net gain in population the result, this after diminishing numbers of residents for rather a long time.

Joyce rebelled against his religion (while continuing to be attracted to it culturally), his own family (excepting his brother Stanislaus) & Irish nationalism, feeling himself a citizen of the world. And yet the longer he lived in exile from Dublin & Ireland, the more his consciousness seemed rooted in its memory. Bill


message 3: by Dianne (new)

Dianne Alvine I enjoyed reading your outstanding review.


message 4: by Quo (new)

Quo Hello Dianne, Thanks for your positive comment for reading my review of the early stories by James Joyce.


message 5: by Sylvia (new)

Sylvia Swann Thanks for this interesting take on his early work Bill. I really loved The Dead in particular. I have not read Ulysses yet but I’m hoping to get to it soon. I just started Swann’s Way by Proust so it will be a while until my next book.


message 6: by Quo (new)

Quo Sylvia: The most amazing aspect about Ulysses is Joyce's ability to tell a linear tale, a single day in Dublin in 1904 focused on the life of Leopold Bloom & others, while doing so in a manner where every chapter seems written in a different voice or style. It can be disorienting but at the same time extraordinary.

If you can wade through Proust, I suspect that you will enjoy Joyce's master work. Even if you don't make it through at first attempt, you will gain by just concentrating on the words--thousands of them, some of which PhD's in linguistics can't fully fathom. This is why I like to remember the image of Marilyn Monroe sitting in a playground with a copy of Joyce's novel. When asked about her choice of a book, she responded that she "just like the words". This is as good a beginning as any. And the more Joyce's eyesight became diminished, the more the sounds of words became elevated in importance. Bill


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