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message 1: by Rene (new)

Rene B. Author Discussion Event: Shade of the Sun

We are honoured to host a structured reader discussion with author Ron Houston on his novel Shade of the Sun, a work that approaches the legacy of slavery through psychological depth, symbolic storytelling, and what can only be described as a master-level command of narrative craft.

This discussion is designed as a guided and respectful environment, where readers can engage with the text at a deeper level while recognizing the intentional design behind the story.

Drawing from the official companion and reading guide, this session will explore:

* The Mixologist approach to storytelling, where character and plot are constructed with precision and purpose
* The Elephant and the Chain philosophy, examining how conditioning shapes human behaviour and identity
* The concept of the Broken Will, and the psychological systems that influence both the oppressed and the oppressor
* The brilliance of Abel as a strategic and intellectual protagonist, redefining perception beyond sight

This is not an open or chaotic forum. It is a controlled, moderator-led discussion space designed to ensure:

* Respect for the author’s work and creative vision
* Thoughtful engagement with complex and combustible themes
* A balanced exchange of ideas without personal attacks or off-topic disruptions

Readers are encouraged to share their perspectives, emotional responses, and interpretations while engaging in intellectual dialogue around themes such as conditioning, moral responsibility, and resilience.

This session also serves as part of the broader Legacy Conversation, surrounding Shade of the Sun, positioning the novel not just as a story, but as a long-term contribution to discussions on human behaviour, history, and the resilience of the human spirit.

We look forward to a focused, meaningful, and elevated discussion.


message 2: by Rene (new)

Rene B. We need the author to introduce itself


message 3: by Rene (new)

Rene B. We are waiting for the author


message 4: by Ron (new)

Ron Houston I'm here everyone, HELLO!


message 5: by Rene (new)

Rene B. You are welcome Ronald, Can you please, answer the first question


message 6: by Ron (new)

Ron Houston Pagoe wrote: "After going through the Shade of the Sun reading guide, I was really intrigued by the ‘Elephant and the Chain’ concept. Do you see this idea as something limited to the world of the story, or are y..."

As a child, I always wondered about the way the elephants would sway and kick their back leg. I asked the handler and he said that they were condition by the chain when they were inside the old enclosure. They didn't realize the chain was gone. I think that applies to all conditioning.


message 7: by Georgia (new)

Georgia A. From the reading guide for Shade of the Sun, the idea of you as a Mixologist, building characters and story like a scientist, really stood out to me. When you’re writing, do you approach each character as a kind of controlled reaction, or do some of them evolve beyond what you originally designed?


message 8: by Ron (new)

Ron Houston Rene wrote: "We need the author to introduce itself"

I'm sorry Renee,
I peck on the keyboard with two fingers. I'm Ron Houston from Cincinnati, Ohio. I'm turned 68 in April. I'm retired from Marathon Petroleum, as a biodiesel tech. I'm married (3rd one was the Charm. And I very happy with life!


message 9: by Ron (new)

Ron Houston Pagoe wrote: "have you add the author to this discussion?"

Hello Pagoe!


message 10: by Ron (new)

Ron Houston Sejawe wrote: "Have you add the author to the discussion?"

Hello Sejawe!


message 11: by Georgia (new)

Georgia A. Ron wrote: "Rene wrote: "We need the author to introduce itself"

I'm sorry Renee,
I peck on the keyboard with two fingers. I'm Ron Houston from Cincinnati, Ohio. I'm turned 68 in April. I'm retired from Marat..."


Thank you for sharing that, Ron, it’s great to learn a bit about your background.

I’m really curious, how did your experience working as a biodiesel technician influence the way you approach storytelling, especially the Mixologist style described in the Shade of the Sun reading guide?


message 12: by Ron (new)

Ron Houston I will say that I feel that in turns of the conditioning aspect of the slavery environment of the Shade story, both the slave and the slave owners were attached to a symbolic chain, although, those chains were polar opposite to each other.


message 13: by Ron (new)

Ron Houston Thanks Pagoe for the review like!


message 14: by Georgia (new)

Georgia A. That idea of polar opposite chains is really interesting.

Would you say one type of conditioning is harder to break than the other, or are both equally powerful in shaping how people think and act?


message 15: by Ron (new)

Ron Houston Rene,
I feel that in the case of slavery (for example). I think the condition connection of both the slave and the owner depended on each other. The slave was conditioned the believe he was less, where the owner felt better about himself because he believed his was superior.


message 16: by Georgia (new)

Georgia A. Ron, that is a profound insight, that the conditioning was a mutual, dependent cycle. In the Shade of the Sun Legacy Blueprint pdf, there is a mention of the Fragility of the Master.

Do you think the owner's need to feel superior actually made his own will more fragile than Abel's?
It seems like while the slave's chain was physical and psychological, the owner’s chain was a slavery to the system that he couldn't even see.


message 17: by Ron (new)

Ron Houston cont. reply to Rene,
The same situation can be said about any human relationship where doubt and insecurities exist. We all can benefit with giving freedom to everyone by respecting their existence and striving to upbuild each other. Poor against rich (vice versa), men vs women (vice versa).
children vs parents (vice versa) etc.


message 18: by Ron (new)

Ron Houston Georgia,
I feel that the hard part is realizing there's a chain that needs to be broken. Then comes the need to become un-addicted to the conditioning


message 19: by Georgia (new)

Georgia A. Ron, that is a striking way to put it, referring to conditioning as an addiction. It really reframes the entire Elephant and the Chain, metaphor.

In Shade of the Sun, is Abel’s blindness actually what helps him become un-addicted faster than the others?
Since he can’t see the outward manifestations of the system, does it allow him to focus purely on the internal molecular reactions of the spirit that you describe as a Mixologist?


message 20: by Ron (new)

Ron Houston Xetaye,
Abel, (without giving anything away), only knew what his mother taught him. For most of his life, she was the only good thing he had. He just followed the map that she laid out for him. He listened, obeyed, and kept his eyes on the prize, which was his mother. She was the architect of his vision.


message 21: by Ron (new)

Ron Houston Georgia,
Great perspective! The slave's chain (if he endures, builds strength and character). If the owner realized his dependency and loses his belief in his ownership (he's forced to look at the man in the mirror as less).


message 22: by Bonnie (new)

Bonnie V. Ron,
that is a beautiful way to describe it, that his mother was the architect of his vision. It makes me think of the Symbolic Gallery in the reading guide, specifically the Fishbone as a blueprint for ancestral survival.
By giving Abel this map, was his mother essentially giving him a way to build his own internal sun so he wouldn't have to live in the Shade of the system?
It feels like her guidance was the ultimate antidote to the Broken Will


message 23: by Ron (new)

Ron Houston Also, Georgia,
I feel that on the subject of the generational effect of slavery, is the chain that connect so much of the racism on both sides today.


message 24: by Ron (new)

Ron Houston To everyone here, I just want to apologize for my slow typing. Writers are the worse typist. Lol!


message 25: by Bonnie (new)

Bonnie V. No need to apologize, Ron! We appreciate you sharing your gift with us.

Regarding the generational effect you mentioned, is this why you focused on the Sins of the Father and the Trotter legacy in the book?
Do you believe that by identifying these historical chains, we can finally become un-addicted to the racism they created in the present day?


message 26: by Ron (new)

Ron Houston Greetings Bonnie,
That observation is very interesting. I will say that when you read Shade of the Sun, you will realize, (and I'm not giving anything away), is a metaphor for hiding in plan site.
Fishbone was the historical marker for generations not to forget.


message 27: by Ron (new)

Ron Houston Thank you Bonnie,
Also, I feel like we are all family now. Feel free to contact me anytime @
houstonronald007@gmail.com (just reference the discussion group. I really appreciate this body of work)


message 28: by Bonnie (new)

Bonnie V. Ron, that concept of hiding in plain sight is a powerful metaphor for how Abel navigates the plantation. Regarding the Fishbone as a historical marker, do you see craftsmanship, like carving the fishbone or the wooden dog, as a form of silent rebellion against a system designed to manufacture a Broken Will'?


message 29: by Ron (new)

Ron Houston Bonnie,
To answer your question, we all have said and done things to other that we are ashamed of. There's plenty of ugliness done by everyone. As for me, I want to be better than that. If that's my desire, then I can work at it and progress forward, I want to do my part and be an asset to my worldwide community, not a deficit. Any progress toward that end is a better environment for us all.


message 30: by Bonnie (new)

Bonnie V. Ron, thank you so much for being so open with us!
Your explanation of being, un-addicted to conditioning and the idea of the mother as the architect of vision is something the whole world needs to hear right now.

As readers, we feel like this discussion is just the beginning. Shade of the Sun is such a master-level work of Narrative Excellence that it shouldn't just stay in this thread, it needs to be on every social media platform and promoted to a much wider audience.

Your Mixologist approach to the human spirit is a gift that could help so many others understand their own chains. We want to see this book get the global visibility it deserves!

You should definitely message Charlotte, the organizer, about how to take this conversation into the broader community. She has the platform to help your work become that worldwide asset you mentioned.
Please reach out to her so we can help you share this brilliance with everyone!


message 31: by Ron (new)

Ron Houston Georgia and Rene,
As for Abel's molecular (also how it relates to my chemistry background, both technically and socially (being a mixologist is a fancy way of saying a bartending that does more). In every one of these instances the answer is the same. The ingredients put in will yield results. With the right elements and the right recipe your results will be successful.


message 32: by Ron (new)

Ron Houston Bonnie,
The craftmanship of Fishbone, I guess is in a way Abel's rebellion, if he realized he needed to rebel. I certainly was a marker for reflection. And it definitely drove the point of the story to a powerful conclusion. It is because of the role that Colonel Fishbone (the dog) played was so significant.


message 33: by Rebecca (new)

Rebecca R. Ron,
seeing how Colonel Fishbone drove the story to such a powerful conclusion makes me realize this isn't just a book, it’s a master level study on the human spirit.

Your Mixologist philosophy is a gift that could help so many people become un-addicted to their own chains, but a discussion thread is too small to contain a reaction this big. Have you talked to Charlotte about how to bring this message to the future to the wider world?
We want to see your craft reach the global audience it deserves!


message 34: by Ron (new)

Ron Houston Oh Georgia,
I've written a lot of characters, and I can truly confirm that there are no controlled reactions with many of them. I have characters who are frightening, from a misogynistic mixologist to serial killers, exploitive clergymen (imagine that). You can say that most of my characters blow up the lab every time. And being true to the characters, they dictate to me what they do. Just remember, I just write them, they are not me or anyone that I would want to hang around, but a writer will never apologize for his characters.


message 35: by Ron (new)

Ron Houston Thank you Jayoke. (smile)


message 36: by Ron (new)

Ron Houston Thank you Rebecca,
Yes, I have talked to Charlotte and will continue to rely on her suggestions. I will say that I haven't made it easy for her. I'm a terrible skeptic and have had a lot of author scams sent my way as well as filmmakers wanting to scam film rights for this book. So I certainly ran Charlotte through the ringer. She's a sweet person who finally won me over.


message 37: by Rebecca (new)

Rebecca R. Ron, that actually made me laugh!
The idea of a Mixologist whose characters keep blowing up the lab is such a vivid image. It’s a testament to your high skill-level that you can create such complex, frightening figures while keeping your own integrity as a writer intact.
We love that you don't apologize for your craft. It’s exactly that out of the box brilliance that makes Shade of the Sun feel so real and necessary for us to discuss!


message 38: by Ron (new)

Ron Houston Vagigae,
Hello, as for Abel, you will learn his method of breaking the back of the plantation, (which was imprinted into him by his mother). He never had the opportunity to become addicted to the conditioning of the plantation (also thanks to his mother). Like a determined analytical chemist, his mother gave he the ingredients, his just had to mix them in a formula that yielded results.


message 39: by Rebecca (new)

Rebecca R. Ron, we can’t blame you for being a skeptic, a Master Craftsman has to protect his gift from those who don't appreciate the craft!

It’s so good to hear that Charlotte won you over. We trust her vision for this community, and it's clear she sees the Brilliance in your work just as much as we do. Since you’re in such good hands now, we can’t wait to see how she helps you share this story with the rest of the world.
We’re ready for the Shade of the Sun legacy to go global!


message 40: by Ron (new)

Ron Houston Thank you Rebecca!


message 41: by Ron (new)

Ron Houston Rebecca,
That truly would be a blessing.


message 42: by Ron (new)

Ron Houston To everyone,
What makes a chef happy? Seeing people taste, eat and enjoy his cooking. I'm no chef. I'm a writer, and this moment, you all make Me happy. I'm at a loss for words to be so engaged in such a way. Thank you, very deeply thanks.


message 43: by Ron (new)

Ron Houston I'm also willing to take more questions.


message 44: by Ron (new)

Ron Houston Also, if anyone is interested in reading Shade of the Sun, it in all 3 forms (Kindle, paperback and hardback on Amazon.


message 45: by Ron (new)

Ron Houston Georgia,
Yes, Abel's mother conditioned him very early and sadly tragically, so he was never going to break.


message 46: by Ron (new)

Ron Houston Xetaye,
Thank you, I feel that the slavery vehicle of this story was the perfect microscope into the breakdown of everything wrong back then up to today.


message 47: by Ron (new)

Ron Houston Hello Debaja,
Thank you for the like.


message 48: by Rebecca (new)

Rebecca R. Ron, the idea that a mother’s tragic conditioning could actually be the very thing that makes a soul unbreakable is such a profound, molecular insight.

It shows that you don't just write characters; you build them with the precision of a Master Craftsman. We are so moved by this recipe for resilience. Since you mentioned being an 'asset to the worldwide community, this is exactly the kind of Brilliant message that Charlotte can help you amplify so it reaches every reader who needs to hear it!


message 49: by Ron (new)

Ron Houston Debaja,
Thanks, I presently writing a book fiction novel, concerning a frightening set of circumstances that threaten a murder of crows. It involves the covenant between crows and farmers. I'm very excited about it. Also, I wrote an excellent horrible and offensive book intitled, The Devastation of Mr. Drake. It's about a misogynistic mixologist. He is handsome, repulsive, vulgar and murderous; and the reader will feel so sorry for him before it's over.


message 50: by Virginia (new)

Virginia L. Ron, that microscope analogy is exactly why your writing feels so precise and powerful. You aren’t just looking at the past; you are dissecting the molecular makeup of our society today.

It’s clear you aren't just a writer, you’re a Mixologist of human truth. We are so glad we finally won you over because this message is too important to stay small.
We want to see this Brilliant formula reach the worldwide community you mentioned, so that everyone can see the world through your lens!


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