Cartooning


Cartooning the Head and Figure
Understanding Comics: The Invisible Art
Humongous Book of Cartooning
Cartooning: Philosophy and Practice
Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels
Cartoon Animation
The Secrets of Professional Cartooning
Adventures in Cartooning
Reinventing Comics: The Evolution of an Art Form – Twelve Revolutions in Digital Publishing, Creators' Rights, and the Future of Storytelling
How to Draw Cartoons for Comic Strips
Cartoon Faces: How to Draw Heads, Features & Expressions
How to Draw Comics the Marvel Way
Modern Cartooning: Essential Techniques for Drawing Today's Popular Cartoons
The Animator's Survival Kit
Blitz the Big Book of Cartooning: The Ultimate Guide to Hours and Hours of Fun Creating Funny Faces, Wacky Creatures, and Lots More!
Bill  Mauldin
[Editorial cartooning] is essentially a destructive art. We are not pontificators, or molders of thought—or at least we shouldn't try to be. Ours is more the role of the lowly gadfly: circle and stab, circle and stab. Roughly put, our credo should be, if it's big, hit it. ...more
Bill Mauldin

Q: Why do you like to do cartoons? How long have you been in this activity? Cartoon is the fun way to express opinions and communicate, that's why I like it. When I illustrate textbooks I also try to make them have humor...I've been publishing professionally since the early 90's, I was lucky enough to get to work in a newspaper and that was a great school, like a second university. (Interview on irancartoon.com) ...more
Elena Ospina Mejia

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