Classical


The Odyssey
The Iliad
Pride and Prejudice
The Aeneid
Metamorphoses
The Great Gatsby
To Kill a Mockingbird
Jane Eyre
The Picture of Dorian Gray
Wuthering Heights
1984
Romeo and Juliet
Animal Farm
The Republic
Oedipus Rex  (The Theban Plays, #1)
Jane Eyre by Charlotte BrontëGoblin Market by Christina RossettiKatherine by Anya SetonLizzie Siddal by Lucinda HawksleyRomeo and Juliet by William Shakespeare
Pre-Raphaelite Covers
133 books — 21 voters
The Kingfisher Atlas of the Medieval World by Simon AdamsThe Middle Ages by Susan Wise BauerThe Encyclopedia of World History by Jane BinghamDerivation Incognita by Diogenes VindexA Year in a Castle by Rachel Coombs
History Year 2
16 books — 6 voters

God of Ruin by Rina KentSelected Works by Marcus Tullius CiceroAngry God by L.J. ShenCaesar by Adrian GoldsworthyHow to Think Like a Roman Emperor by Donald J. Robertson
Busts
23 books — 12 voters
The Lion, the Witch and the Wardrobe by C.S. LewisDracula by Bram StokerThe Chronicles of Narnia by C.S. LewisBody Count by Linda WongA Room with a View by E.M. Forster
I Love Lucy
96 books — 30 voters

Evolution Architectural Design Using Grasshopper by Min-Gyu SeolGeometry of Design by Kimberly ElamThe Scallop by Ian CoxDigital Sangaku, Part II by Jean ConstantWhy Old Places Matter by Thompson M. Mayes
Design Composition
33 books — 6 voters
Zen and the Art of Motorcycle Maintenance by Robert M. PirsigPeanuts by Charles M. SchulzThe Secret Art of Dr. Seuss by Dr. SeussMythology by Alex RossThe Art of Racing in the Rain by Dave Manak
The Art of.........
461 books — 31 voters

There are many persons ready to do what is right because in their hearts they know it is right. But they hesitate, waiting for the other fellow to make the first move - and he, in turn, waits for you.
Marian Anderson, Written by Herself: Autobiographies of American Women: An Anthology

Erwin Panofsky
Those who like to interpret historical facts symbolically may recognize in this the spirit of a specifically "modern" conception of the world which permits the subject to assert itself against the object as something independent and equal; whereas classical antiquity did not as yet permit the explicit formulation of this contrast; and whereas the Middle Ages believed the subject as well as the object to be submerged in a higher unity. ...more
Erwin Panofsky, Meaning in the Visual Arts

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