Crime Thrillers


Murder on Family Grounds (Mary Wandwalker #3)
The Erkeley Shadows
The Girl With the Dragon Tattoo (Millennium, #1)
Gone Girl
The Alchemy Fire Murder (Mary Wandwalker #2)
Scavenger Hunt
The Girl on the Train
Twenty Years Later
None of This Is True
The Girl Who Played with Fire (Millennium #2)
And Then There Were None
Pretty Girls
The Girl Who Kicked the Hornet’s Nest (Millennium, #3)
Framed & Hunted: A True Story of Occult Persecution
The Silent Patient
Writing crime thrillers is all about building scenes within chapters. Each scene, written from a specific character’s point of view, must ratchet up the tension. And the final scene in every chapter? It has to be so gripping that it leaves the reader no choice but to turn the page.
Laurie Buchanan

Michael Deeze
That wasn’t fair Sally.” “Why not? Do you think you can stay self-righteous forever. You needed a little dose of reality.” “Reality usually doesn’t include aggravated assault, breaking and entering—twice, and illegal surveillance Sally. You did that on purpose.
Michael Deeze, The Deathbed Confessions

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