Crime Thrillers


Murder on Family Grounds (Mary Wandwalker #3)
The Erkeley Shadows
The Girl With the Dragon Tattoo (Millennium, #1)
The Alchemy Fire Murder (Mary Wandwalker #2)
Gone Girl
Scavenger Hunt
The Girl on the Train
Twenty Years Later
None of This Is True
The Girl Who Played with Fire (Millennium #2)
And Then There Were None
Pretty Girls
The Girl Who Kicked the Hornet’s Nest (Millennium, #3)
Framed & Hunted: A True Story of Occult Persecution
The Silent Patient
Writing crime thrillers is all about building scenes within chapters. Each scene, written from a specific character’s point of view, must ratchet up the tension. And the final scene in every chapter? It has to be so gripping that it leaves the reader no choice but to turn the page.
Laurie Buchanan

Michael Deeze
So, sometimes it’s necessary to level the board. Sometimes when the bad guy keeps winning, the questions of right and wrong get a little cloudy. When that situation is created then it becomes necessary to do the right thing even if it’s technically the wrong thing or there’s no justice. And there are people that do that. The Baba Yaga’s of the world.
Michael Deeze, The Deathbed Confessions

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