Fantastique

What is distinctive about the fantastique is the intrusion of supernatural phenomena into an otherwise realist narrative. It evokes phenomena which are not only left unexplained but which are inexplicable from the reader's point of view. In this respect, the fantastique is somewhere between fantasy, where the supernatural is accepted and entirely reasonable in the imaginary world of a non-realist narrative, and magic realism, where apparently supernatural phenomena are explained and accepted as normal. Instead, characters in a work of fantastique are, just like the readers, unwilling to accept ...more

Harry Potter and the Philosopher's Stone (Harry Potter, #1)
Harry Potter and the Prisoner of Azkaban (Harry Potter, #3)
Harry Potter and the Chamber of Secrets (Harry Potter, #2)
Harry Potter and the Goblet of Fire (Harry Potter, #4)
Harry Potter and the Deathly Hallows (Harry Potter, #7)
Harry Potter and the Order of the Phoenix (Harry Potter, #5)
Harry Potter and the Half-Blood Prince (Harry Potter, #6)
Twilight (The Twilight Saga, #1)
Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8)
New Moon (The Twilight Saga, #2)
A Winter's Promise (The Mirror Visitor, #1)
Eclipse (The Twilight Saga, #3)
The Invisible Life of Addie LaRue
Dracula
Breaking Dawn (The Twilight Saga, #4)
Franz Rottensteiner
Many of the best fantastic stories begin in a leisurely way, set in commonplace surroundings, with exact, meticulous descriptions of an ordinary background, much as in a 'realistic' tale. Then a gradual - or it may be sometimes a shockingly abrupt - change becomes apparent, and the reader begins to realize that what is being described is alien to the world he is accustomed to, that something strange has crept or leapt into it. This strangeness changes the world permanently and fundamentally. ...more
Franz Rottensteiner, The Fantasy Book: An Illustrated History From Dracula To Tolkien

Andrzej Sapkowski
Où nos héros arrivent à Münsterberg lors d’un tournoi de chevalerie très européen. Pour Reynevan, ce contact avec l’Europe s’avère triste. Bah ! Douloureux même.
Andrzej Sapkowski, La Tour des Fous

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