The Gothic Revival was an architectural movement which began in the 1740s in England. Its popularity grew rapidly in the early nineteenth century, when increasingly serious and learned admirers of neo-Gothic styles sought to revive medieval forms in contrast to the classical styles prevalent at the time. In England, the epicentre of this revival, it was intertwined with deeply philosophical movements associated with a re-awakening of "High Church" or Anglo-Catholic self-belief (and by the Catholic convert Augustus Welby Pugin) concerned by the growth of religious nonconformism. He went on to pThe Gothic Revival was an architectural movement which began in the 1740s in England. Its popularity grew rapidly in the early nineteenth century, when increasingly serious and learned admirers of neo-Gothic styles sought to revive medieval forms in contrast to the classical styles prevalent at the time. In England, the epicentre of this revival, it was intertwined with deeply philosophical movements associated with a re-awakening of "High Church" or Anglo-Catholic self-belief (and by the Catholic convert Augustus Welby Pugin) concerned by the growth of religious nonconformism. He went on to produce important Gothic buildings such as Cathedrals at Birmingham and Southwark and the British Houses of Parliament in the 1840s. Large numbers of existing English churches had features such as crosses, screens and stained glass (removed at the Reformation), restored or added, and most new Anglican and Catholic churches were built in the Gothic style. Viollet-le-Duc was a leading figure in the movement in France, restoring the entire walled city of Carcassonne as well as Notre-Dame and Sainte Chapelle in Paris. In America Ralph Adams Cram was a leading force in American Gothic, with his most ambitious project the Cathedral of Saint John the Divine in New York (claimed to be the largest Cathedral in the world), as well as Collegiate Gothic buildings at Princeton Graduate College. On a wider level the wooden Carpenter Gothic churches and houses were built in large numbers across North America in this period.
In English literature, the architectural Gothic Revival and classical Romanticism gave rise to the Gothic novel, often dealing with dark themes in human nature against medieval backdrops and with elements of the supernatural. Beginning with The Castle of Otranto (1764) by Horace Walpole, 4th Earl of Orford, it also included Mary Shelley's Frankenstein (1818) and John Polidori's The Vampyre (1819), which helped found the modern horror genre. This helped create the dark romanticism or American Gothic of authors like Edgar Allan Poe in works including "The Fall of the House of Usher" (1839) and "The Pit and the Pendulum" (1842) and Nathaniel Hawthorne in "The Minister's Black Veil" (1836) and "The Birth-Mark" (1843). This in turn influenced American novelists like Herman Melville in works such as Moby Dick (1851). Early Victorian Gothic novels included Emily Brontë's Wuthering Heights (1847) and Charlotte Brontë's Jane Eyre (1847). The genre was revived and modernised toward the end of the century with works like Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde (1886), Oscar Wilde's The Picture of Dorian Gray (1890) and Bram Stoker's Dracula (1897)....more
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It was clear that the city had none of the dignity of older capitals. It did not swagger like London, preen like Paris, or prize artistry like Vienna. Manchester was a brute. It pushed up its sleeves, and it smoked, and hammered, and grew.
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Augusta Achard
THE VICTORIAN GOTHIC
An Assembly of Shadows, Secrets & Stories.
Welcome to THE VICTORIAN GOTHI…more
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THE VICTORIAN GOTHIC
An Assembly of Shadows, Secrets & Stories.
Welcome to THE VICTORIAN GOTHIC, a community for lovers of Victorian Gothic literature, dark fiction, and the beautifully macabre.
Step into a world of haunted mansions, abandoned castles, restless ghosts, supernatural creatures, secret passageways, forbidden rooms, mysterious disappearances, and dark family secrets. From crumbling Victorian estates to sinister mysteries lurking behind elegant drawing-room doors, we celebrate stories that make the past feel hauntingly alive.
Whether you love classic Gothic literature, Victorian ghost stories, supernatural horror, dark historical fiction, psychological thrillers, or modern novels inspired by the Gothic era, you have found your literary home.
Within our shadowy library, you can:
Discuss your favourite Victorian Gothic novels and authors.
Share recommendations for haunted-house stories, ghost fiction, and supernatural mysteries.
Explore the themes, atmosphere, and secrets of Gothic literature.
Discover classic masterpieces and contemporary Gothic fiction.
Participate in reading challenges, book discussions, and community reads.
Connect with fellow readers who appreciate the darker side of storytelling.
Readers and authors are welcome. Please keep discussions respectful, follow the group rules, and share book promotions only where permitted.
Draw the curtains, light a candle, and open the pages of the unknown.
The past is never truly buried. Welcome to THE VICTORIAN GOTHIC.
