Gothic Revival

The Gothic Revival was an architectural movement which began in the 1740s in England. Its popularity grew rapidly in the early nineteenth century, when increasingly serious and learned admirers of neo-Gothic styles sought to revive medieval forms in contrast to the classical styles prevalent at the time. In England, the epicentre of this revival, it was intertwined with deeply philosophical movements associated with a re-awakening of "High Church" or Anglo-Catholic self-belief (and by the Catholic convert Augustus Welby Pugin) concerned by the growth of religious nonconformism. He went on to p The Gothic Revival was an architectural movement which began in the 1740s in England. Its popularity grew rapidly in the early nineteenth century, when increasingly serious and learned admirers of neo-Gothic styles sought to revive medieval forms in contrast to the classical styles prevalent at the time. In England, the epicentre of this revival, it was intertwined with deeply philosophical movements associated with a re-awakening of "High Church" or Anglo-Catholic self-belief (and by the Catholic convert Augustus Welby Pugin) concerned by the growth of religious nonconformism. He went on to produce important Gothic buildings such as Cathedrals at Birmingham and Southwark and the British Houses of Parliament in the 1840s. Large numbers of existing English churches had features such as crosses, screens and stained glass (removed at the Reformation), restored or added, and most new Anglican and Catholic churches were built in the Gothic style. Viollet-le-Duc was a leading figure in the movement in France, restoring the entire walled city of Carcassonne as well as Notre-Dame and Sainte Chapelle in Paris. In America Ralph Adams Cram was a leading force in American Gothic, with his most ambitious project the Cathedral of Saint John the Divine in New York (claimed to be the largest Cathedral in the world), as well as Collegiate Gothic buildings at Princeton Graduate College. On a wider level the wooden Carpenter Gothic churches and houses were built in large numbers across North America in this period.

In English literature, the architectural Gothic Revival and classical Romanticism gave rise to the Gothic novel, often dealing with dark themes in human nature against medieval backdrops and with elements of the supernatural. Beginning with The Castle of Otranto (1764) by Horace Walpole, 4th Earl of Orford, it also included Mary Shelley's Frankenstein (1818) and John Polidori's The Vampyre (1819), which helped found the modern horror genre. This helped create the dark romanticism or American Gothic of authors like Edgar Allan Poe in works including "The Fall of the House of Usher" (1839) and "The Pit and the Pendulum" (1842) and Nathaniel Hawthorne in "The Minister's Black Veil" (1836) and "The Birth-Mark" (1843). This in turn influenced American novelists like Herman Melville in works such as Moby Dick (1851). Early Victorian Gothic novels included Emily Brontë's Wuthering Heights (1847) and Charlotte Brontë's Jane Eyre (1847). The genre was revived and modernised toward the end of the century with works like Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde (1886), Oscar Wilde's The Picture of Dorian Gray (1890) and Bram Stoker's Dracula (1897). ...more

Gothic Revival Books

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The Turn of the Screw Retellings

14 books — 16 voters

The House of Velvet and Glass by Katherine Howe

Victorian Spiritualism Fiction

122 books — 97 voters

The Phantom of the Opera by Gaston Leroux

Haunted Theaters

60 books — 27 voters

Stalking Jack the Ripper by Kerri Maniscalco

A Taste for Monsters by Matthew J. Kirby

Jack the Ripper in YA Fiction

16 books — 22 voters

A Drowned Maiden's Hair by Laura Amy Schlitz

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YA & Middle Grade Victorian Spiritualism & Occultism

58 books — 35 voters

Lady's Companions

40 books — 26 voters

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Historical
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Quotes Tagged “Gothic Revival”

“ It was clear that the city had none of the dignity of older capitals. It did not swagger like London, preen like Paris, or prize artistry like Vienna. Manchester was a brute. It pushed up its sleeves, and it smoked, and hammered, and grew. ”
― Augusta Achard

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