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Here we find, in the work of Michael Moore, a factory for making political fools out of non-political fools. As a demagogue, Moore knows we live in a democratized culture mediated by television imagery. He knows that his audience lacks the general knowledge, the critical sense, to fully understand complex events. Furthermore, the intellectual decline of our culture guarantees he will have an "intellectual" following, and this will bolster his prestige. The ability to manipulate images without re
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Perhaps vaguely aware that his movie so completely lacks gravitas, Moore concludes with a sonorous reading of some words from George Orwell. The words are taken from 1984 and consist of a third-person analysis of a hypothetical, endless and contrived war between three superpowers. The clear intention, as clumsily excerpted like this (...), is to suggest that there is no moral distinction between the United States, the Taliban and the Ba'ath Party, and that the war against jihad is about nothing.
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― Love, Poverty, and War: Journeys and Essays
― Love, Poverty, and War: Journeys and Essays
