Most Read This Week In Folklore

Folklore (or lore) consists of legends, myths, music, oral history, proverbs, jokes, popular beliefs, fairy tales, stories, tall tales, and customs that are the traditions of a culture, subculture, or group.

Folk literature features folkloric elements in the form of novels, short stories, children tales, poetry or other narratives.

Most Read This Week Tagged "Folklore"

Something in the Walls
Hansel and Gretel
Where the Dark Stands Still
Grimm Curiosities
The Fox Wife
Greenteeth
A House Between Sea and Sky
When Among Crows (Curse Bearer, #1)
Te di ojos y miraste las tinieblas
The Skull
To Clutch a Razor (Curse Bearer, #2)
Never Whistle at Night: An Indigenous Dark Fiction Anthology
The Watchers (The Watchers, #1)
Le Fay (Morgan le Fay, #2)
The Sea Child
The Bog Wife
The Wolf and the Woodsman
The Crane Husband
Nowhere
Withered Hill
Thistlefoot
Once Was Willem
The Children of Gods and Fighting Men (Gael Song, #1)
Old Country
Audition for the Fox
Lady Tremaine
A Haunting in the Arctic
All the Murmuring Bones
The Seven Skins of Esther Wilding
North Is the Night (Tuonela Duet, #1)
The Dead of Winter: Beware the Krampus and Other Wicked Christmas Creatures
The Wild Huntress
The Creeper
Upon a Starlit Tide
Beast of the North Woods (Monster Hunter, #3)
Knock Knock, Open Wide
The Burial Tide
Sister Snake
Stay in the Light (The Watchers, #2)
Treacle Walker
Atlas of Unknowable Things
Hagstone
The Maiden and Her Monster
The Curse of Penryth Hall (Ruby Vaughn, #1)
Verity Vox and the Curse of Foxfire
The Hill in the Dark Grove
The Conjuring of America: Mojos, Mermaids, Medicine, and 400 Years of Black Women’s Magic
The Whistler
The Witches of Vardø
Pan
Scuttler's Cove
The Words of Kings and Prophets (Gael Song, #2)
The Modern Fairies
Once There Was (Once There Was #1)
House of Frost and Feathers
Suomaa
Bowling with Corpses & Other Strange Tales from Lands Unknown
The Ghost Woods
Foul Days (The Witch's Compendium of Monsters, #1)
Red Threads
Tales From the Hinterland (The Hazel Wood, #2.5)
Nettle (Faery Realms, #1)
The Whisper on the Night Wind: The True History of a Wilderness Legend
The Salt Bind
Bog Myrtle
I'll Make a Spectacle of You
Spellbound
The Last Girl To Die
Mere
A Girl Walks Into the Forest
Cunning Folk
A Crown So Silver (Fair Folk, #2)
The Crimson Road
They Fear Not Men in the Woods
The Vessel
Greek Mythology: The Gods, Goddesses, and Heroes Handbook: From Aphrodite to Zeus, a Profile of Who's Who in Greek Mythology (World Mythology and Folklore Series)
The Paranormal Ranger: A Navajo Investigator's Search for the Unexplained
Build Your House Around My Body
The Gate, the Girl, and the Dragon
F*cked Up Fairy Tales: Sinful Cinderellas, Prince Alarmings, and Other Timeless Classics
Rare Flavours
Barrowbeck
The Morningside
The Door on the Sea (The Raven and Eagle, #1)
The Japanese Myths: A Guide to Gods, Heroes and Spirits
The Cold House
The Naked Light
(S)Kin
A Thousand Steps into Night
Secret Lives of the Dead
Fifty Beasts to Break Your Heart: And Other Stories
A Sweet Sting of Salt
Lies on the Serpent's Tongue (Bittersweet in the Hollow, #2)
Hagitude: Reimagining the Second Half of Life
Mabuhay!
The Golem of Brooklyn
The Secret History of Bigfoot: Field Notes on a North American Monster
Song of the Huntress
The Three Billy Goats Gruff
Hampton Heights: One Harrowing Night in the Most Haunted Neighborhood in Milwaukee, Wisconsin

Philip Pullman
Finally, I’d say to anyone who wants to tell these tales, don’t be afraid to be superstitious. If you have a lucky pen, use it. If you speak with more force and wit when wearing one red sock and one blue one, dress like that. When I’m at work I’m highly superstitious. My own superstition has to do with the voice in which the story comes out. I believe that every story is attended by its own sprite, whose voice we embody when we tell the tale, and that we tell it more successfully if we approach ...more
Philip Pullman, Fairy Tales from the Brothers Grimm: A New English Version

Jill Paton Walsh
The protagonist of folktale is always, and intensely, a young person moving through ordeals into adult life. . . . and this is why there are no wicked stepchildren in the tales.
Jill Paton Walsh

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