Music Journalism


Overpaid, Oversexed and Over There: How a Few Skinny Brits with Bad Teeth Rocked America
Psychotic Reactions and Carburetor Dung
Please Kill Me: The Uncensored Oral History of Punk
Futuromania: Electronic Dreams, Desiring Machines, and Tomorrow's Music Today
Never a Dull Moment: 1971 The Year That Rock Exploded
How to Write About Music: Excerpts from the 33 1/3 Series, Magazines, Books and Blogs with Advice from Industry-leading Writers
Yeah! Yeah! Yeah! The Story of Pop Music from Bill Haley to Beyoncé
Conversations with Greil Marcus (Literary Conversations Series)
Nothing Is Real: The Beatles Were Underrated and Other Sweeping Statements About Pop
Main Lines, Blood Feasts, and Bad Taste: A Lester Bangs Reader
Christgau's Consumer Guide: Albums of the '90s
Can't Stand Up For Falling Down: Rock'n'Roll War Stories
Weird Scenes Inside the Canyon: Laurel Canyon, Covert Ops & the Dark Heart of the Hippie Dream
From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World
Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film
Leticia Supple
“ It is an opinion of mine - borne through long experience - that the best music writers are writers first. Hopefully they have an understanding of music, too, in any of its forms. It's bloody hard work to write about a time signatures when you have not a clue what a time signature is! ...more ”
― Leticia Supple, Music Journalism 101: The definitive resource for new and established writers

Leticia Supple
“ It is in their works, their intelligence, and in the deployment of their art that makes critics great, not necessarily the formal training they undertake. ”
― Leticia Supple, Music Journalism 101: The definitive resource for new and established writers

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