New Left

The New Left was a political movement in the 1960s and 1970s consisting of educators, agitators and others who sought to implement a broad range of reforms on issues such as gay rights, abortion, gender roles, and drugs, in contrast to earlier leftist or Marxist movements.

Revolution in the Air: Sixties Radicals Turn to Lenin, Mao and Che
The Way the Wind Blew: A History of the Weather Underground (Haymarket Series)
The Society of the Spectacle
Body and Soul: The Black Panther Party and the Fight Against Medical Discrimination
Heavy Radicals - The FBI's Secret War on America's Maoists: The Revolutionary Union / Revolutionary Communist Party 1968-1980
Black Against Empire: The History and Politics of the Black Panther Party
Students of the World: Global 1968 and Decolonization in the Congo (Theory in Forms)
Black Skin, White Masks
Days of Rage: America's Radical Underground, the FBI, and the Forgotten Age of Revolutionary Violence
Coed Revolution: The Female Student in the Japanese New Left (Asia-Pacific: Culture, Politics, and Society)
Outlaws of America: The Weather Underground and the Politics of Solidarity
Detroit: I Do Mind Dying: A Study in Urban Revolution
The Popular Arts (Stuart Hall: Selected Writings)
Seize the Time: The Story of the Black Panther Party and Huey P. Newton
If They Come in the Morning: Voices of Resistance
Erik von Kuehnelt-Leddihn
Still, in summing up the situation, we must not forget that the New Left expresses certain truths and truisms and provides us with not a few straws in the wind. However immature, destructive, sterile, and confused, it is a cry of anguish and protest against a mechanized, profoundly leftish age. It is, in a sense, leftism to end all leftism.
Erik von Kuehnelt-Leddihn, Leftism Revisited: from de Sade and Marx to Hitler and Pol Pot

The most direct critique [in the TV series The Prisoner] of what might be called the politics-industry of late capitalism, however, is undoubtedly [the episode] “Free for All”, both the funeral dirge for the national mass party and the unofficial founding charter of the New Left. In many ways, “Free for All” is the logical complement to the visual innovations and luminous mediatic strategies of “A., B. & C.”; whereas the latter identifies the space of the editing room as a new kind of cultural z ...more
Dennis Redmond, The World is Watching: Video as Multinational Aesthetics, 1968-1995

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