Noir Fiction

Noir fiction (or roman noir) is a literary genre closely related to hardboiled genre, with a distinction that the protagonist is not a detective, but instead either a victim, a suspect, or a perpetrator.
Other common characteristics include a self-destructive protagonist. A typical protagonist of noir fiction is dealing with the legal, political or other system, which is no less corrupt than the perpetrator, by whom the protagonist is either victimized and/or has to victimize others on a daily basis, leading to a lose-lose situation.

The Big Sleep (Philip Marlowe, #1)
The Maltese Falcon
The Postman Always Rings Twice
The Black Dahlia (L.A. Quartet, #1)
Double Indemnity
The Killer Inside Me
The Long Goodbye (Philip Marlowe, #6)
Farewell, My Lovely (Philip Marlowe, #2)
The High Window (Philip Marlowe, #3)
The Hunter (Parker, #1)
L.A. Confidential (L.A. Quartet, #3)
The Big Nowhere (L.A. Quartet, #2)
The Little Sister (Philip Marlowe, #5)
American Tabloid (Underworld USA #1)
The Grifters
Behcet Kaya
“ It was easy to make the obvious leap that the money was supposed to be my fee for whatever Lillian Holler wanted to expose. Sometimes my clients come with prepayment. I still questioned why she had picked me and how she had found me. But she was a wealthy woman and wealthy women have ways of finding out whatever it is they want to know. ”
― Behcet Kaya, Treacherous Estate

Christopher G. Moore
“ The Bangkok Comfort Zone - that strip running between Patpong, Soi Cowboy and Nana - was a huge bank of ice, thick as a glacier. Only you had to be around years and years to see and feel the deep chill, and by the time you had it was too late, the glacier had already dragged you under. ”
― Christopher G. Moore, Comfort Zone

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