Operetta


Babylonne (Pagan Chronicles #5)
Sigmund Romberg (Yale Broadway Masters Series)
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The Pirates of Penzanc...
 
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Arthur Sullivan
The Year of the Flood (MaddAddam, #2)
Blind Faith
Pride and Prejudice and Zombies (Pride and Prejudice and Zombies, #1)
Queen Victoria: Demon Hunter
The Reptile Room (A Series of Unfortunate Events, #2)
The Help
Al compás del amanecer
El ritmo de la noche (Spanish Edition)
Arnold Hauser
The operetta was the product of a world of ‘laissez faire, laissez passer’, that is, a world of economic, social and moral liberalism, a world in which everyone was able to do what he liked, so long as he abstained from questioning the system itself. This limitation meant, on the one hand, very wide, on the other, very narrow frontiers. The same government that summoned Flaubert and Baudelaire to a court of law tolerated the most insolent social satire, the most disrespectful ridiculing of the a ...more
Arnold Hauser, The Social History of Art: Volume 4: Naturalism, Impressionism, The Film Age

Whatever comes, I'll take the good--and send the rest to hell. ...more
Ignaz Schnitzer, Der Zigeunerbaron: Operette in 3 Acten

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