Quilting

Quilting can refer either to the process of creating a quilt or to the sewing of two or more layers of material together to make a thicker padded material. "Quilting" as the process of creating a quilt uses "quilting" as the joining of layers as one of its steps, often along with designing, piecing, appliqué, binding and other steps ...more

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Lists

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185 books — 272 voters

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The Persian Pickle Club by Sandra Dallas

Quilt on the Cover

241 books — 35 voters

To Scotland with Love by Patience Griffin

The Quilter's Daughter by Wanda E. Brunstetter

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25 books — 9 voters

The Oysterville Sewing Circle by Susan Wiggs

Spools

7 books — 1 voter

Hand Embroidery for Left Handers by Juby Aleyas Koll

Guerrilla Kindness & Other Acts of Creative Resistance by Sayraphim Lothian

A Little Book of Craftivism by Sarah P. Corbett

The Modern Crafter

23 books — 5 voters

Knit Your Own Kama Sutra by Trixie Von Purl

Craft Books from 2015

22 books — 6 voters

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Quotes Tagged “Quilting”

“ Nobody starts out a perfect quilter. ”
― Sandra Dallas

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“ Aunt Jane was in perfect correspondence with her environment. She wore a purple calico dress, rather short and scant; a gingham apron, with a capacious pocket, in which she always carried knitting: or some other "handy work"; a white handkerchief was laid primly around the wrinkled throat and fastened with a pin containing a lock of gray hair; her cap was of black lace and lutestring ribbon, not one of the butterfly affairs that perch on the top of the puffs and frizzes of the modern old lady, b Aunt Jane was in perfect correspondence with her environment. She wore a purple calico dress, rather short and scant; a gingham apron, with a capacious pocket, in which she always carried knitting: or some other "handy work"; a white handkerchief was laid primly around the wrinkled throat and fastened with a pin containing a lock of gray hair; her cap was of black lace and lutestring ribbon, not one of the butterfly affairs that perch on the top of the puffs and frizzes of the modern old lady, but a substantial structure that covered her whole head and was tied securely under her chin. She talked in a sweet old treble with a little lisp, caused by the absence of teeth, and her laugh was as clear and joyous as a young girl's. "Yes, I'm a-piecin' quilts again," she said, snipping away at the bits of calico in her lap. "I did say I was done with that sort o' work; but this mornin' I was rummagin' around up in the garret, and I come across this bundle of pieces, and thinks I, 'I reckon it's intended for me to piece one more quilt before I die;' I must 'a' put 'em there thirty years ago and clean forgot 'em, and I've been settin' here all the evenin' cuttin' 'em and thinkin' about old times. "Jest feel o' that," she continued, tossing some scraps into my lap. "There ain't any such caliker nowadays. This ain't your five-cent stuff that fades in the first washin' and wears out in the second. A caliker dress was somethin' worth buyin' and worth makin' up in them days. That blue-flowered piece was a dress I got the spring before Abram died. When I put on mournin' it was as good as new, and I give it to sister Mary. That one with the green ground and white figger was my niece Rebecca's. She wore it for the first time to the County Fair the year I took the premium on my salt-risin' bread and sponge cake. This black-an' white piece Sally Ann Flint give me. I ricollect 'twas in blackberry time, and I'd been out in the big pasture pickin' some for supper, and I stopped in at Sally Ann's for a drink o' water on my way back. She was cuttin' out this dress. ...more ”
― Eliza Calvert Hall, Aunt Jane of Kentucky

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