Scottish Fiction


Lanark: A Life in Four Books
Trainspotting
The Wasp Factory
The Prime of Miss Jean Brodie
Shuggie Bain
The Crow Road
Morvern Callar (Morvern Callar Cycle, #1)
Eleanor Oliphant Is Completely Fine
The Trick is to Keep Breathing
The Testament of Gideon Mack
The Changeling
44 Scotland Street (44 Scotland Street, #1)
The Private Memoirs and Confessions of a Justified Sinner
Outlander (Outlander, #1)
The Blackhouse (Lewis Trilogy, #1)
William   Donaldson
“ On the whole popular fiction in Victorian Scotland is not overwhelmingly backward-looking; it is not obsessed by rural themes; it does not shrink from urbanisation or its problems; it is not idyllic in its approach; it does not treat the common people as comic or quaint. The second half of the nineteenth century is not a period of creative trauma or linguistic decline; it is one of the richest and most vital episodes in the history of Scottish popular culture. ”
― William Donaldson, Popular Literature in Victorian Scotland: Language, Fiction and the Press

“ It was the sort of pub Alan liked, furnished with wall- to-wall forty-five-year-old gin-and-tonic drinkers. A notice on the wall behind the bar read: Please do not ask for credit, as a punch in the mouth often causes offence. ”
― Barry Graham, The Champion's New Clothes

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