Scottish Literature


Dr. Jekyll and Mr. Hyde
Trainspotting
Treasure Island
The Private Memoirs and Confessions of a Justified Sinner
The Prime of Miss Jean Brodie
Peter Pan (Peter Pan, #2)
Shuggie Bain
Poor Things
Waverley
Ivanhoe
The Wasp Factory
A Study in Scarlet (Sherlock Holmes, #1)
Kidnapped (David Balfour, #1)
Eleanor Oliphant Is Completely Fine
The Adventures of Sherlock Holmes (Sherlock Holmes, #3)
William   Donaldson
On the whole popular fiction in Victorian Scotland is not overwhelmingly backward-looking; it is not obsessed by rural themes; it does not shrink from urbanisation or its problems; it is not idyllic in its approach; it does not treat the common people as comic or quaint. The second half of the nineteenth century is not a period of creative trauma or linguistic decline; it is one of the richest and most vital episodes in the history of Scottish popular culture.
William Donaldson, Popular Literature in Victorian Scotland: Language, Fiction and the Press

Scots people were vigorous industrialists and slum builders, but they never reconciled themselves spiritually to their own urban creations... It was better to help to keep alive the native faith and virtues and idyllic memories of the people than to remind them of the scorching fires of Moloch through which they were passing.
William Power, Literature and Oatmeal

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