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Sri Lanka

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A Capitalist in North Korea by Felix Abt

The Great Railway Bazaar by Paul Theroux

Adventure Travel & Exploration In Asia

345 books — 186 voters

My Feast With Peter Kuruvita by Peter Kuruvita

Lands of the Curry Leaf by Peter Kuruvita

Sri Lankan Cooking Books

33 books — 1 voter

Many Roads through Paradise by Shyam Selvadurai

A Year of Last Things by Michael Ondaatje

blackbirds don’t mate with starlings by Janaka Malwatta

Poetry by Sri Lankan Authors

98 books — 1 voter

The Outcasts - A Thousand Dreams of Redemption by Lidija Stankovikj

Hani and Ishu's Guide to Fake Dating by Adiba Jaigirdar

LGBTQ+ South Asian Books

73 books — 15 voters

The Persistence of Caste by Anand Teltumbde

Untouchables Castes in India by Shyamlal

Caste Discrimination

95 books — 3 voters

The Warden's Good Girl by Jaspreet K. Bajwa

Mafia Mommy's Sweet Obsession by Jaspreet K. Bajwa

Desi sapphics master list

17 books — 5 voters

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It’s Literally Summer! 93 Topical Titles for Your Seasonal Reading List.

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“ The path dips down to Gal Vihara: a wide, quiet, hollow, surrounded with trees. A low outcrop of rock, with a cave cut into it, and beside the cave a big seated Buddha on the left, a reclining Buddha on the right, and Ananda, I guess, standing by the head of the reclining Buddha. In the cave, another seated Buddha. The vicar general, shying away from "paganism." hangs back and sits under a tree reading the guidebook. I am able to approach the Buddhas barefoot and undisturbed, my feet in wet gras The path dips down to Gal Vihara: a wide, quiet, hollow, surrounded with trees. A low outcrop of rock, with a cave cut into it, and beside the cave a big seated Buddha on the left, a reclining Buddha on the right, and Ananda, I guess, standing by the head of the reclining Buddha. In the cave, another seated Buddha. The vicar general, shying away from "paganism." hangs back and sits under a tree reading the guidebook. I am able to approach the Buddhas barefoot and undisturbed, my feet in wet grass, wet sand. Then the silence of the extraordinary faces. The great smiles. Huge and yet subtle. Filled with every possibility, questioning nothing, knowing everything, rejecting nothing, the peace not of emotional resignation but of Madhyamika, of sunyata, that has seen through every question without trying to discredit anyone or anything - without refutation - without establishing some other argument. For the doctrinaire, the mind that needs well-established positions, such peace, such silence, can be frightening. I was knocked over with a rush of relief and thankfulness at the obvious clarity of the figures, the clarity and fluidity of shape and line, the design of the monumental bodies composed into the rock shape and landscape, figure, rock and tree. And the sweep of bare rock sloping away on the other side of the hollow, where you can go back and see different aspects of the figures. Looking at these figures I was suddenly, almost forcibly, jerked clean out of the habitual, half-tied vision of things, and an inner clearness, clarity, as if exploding from the rocks themselves, became evident and obvious. The queer evidence of the reclining figure, the smile, the sad smile of Ananda standing with arms folded (much more "imperative" than Da Vinci's Mona Lisa because completely simple and straightforward). The thing about all this is that there is no puzzle, no problem, and really no "mystery." All problems are resolved and everything is clear, simply because what matters is clear. The rock, all matter, all life, is charged with dharmakaya... everything is emptiness and everything is compassion. I don't know when in my life I have ever had such a sense of beauty and spiritual validity running together in one aesthetic illumination. Surely, with Mahabalipuram and Polonnaruwa my Asian pilgrimage has come clear and purified itself. I mean, I know and have seen what I was obscurely looking for. I don't know what else remains but I have now seen and have pierced through the surface and have got beyond the shadow and the disguise. This is Asia in its purity, not covered over with garbage, Asian or European or American, and it is clear, pure, complete. It says everything: it needs nothing. And because it needs nothing it can afford to be silent, unnoticed, undiscovered. It does not need to be discovered. It is we, Asians included, who need to discover it. The whole thing is very much a Zen Garden, a span of bareness and openness and evidence, and the great figures, motionless, yet with the lines in full movement, waves of vesture and bodily form, a beautiful and holy vision. The rest of the "city", the old palace complex, I had no time for. We just drove around the roads and saw the ruined shapes, and started on the long drive home to Kandy. ...more ”
― Thomas Merton, The Asian Journal of Thomas Merton

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“ It was not to flaunt feelings of superiority that the elders of the Kaisaruwatte family clung to the traditions of their patrician lineage, but for self-preservation of themseleves and their way of life, now declining in the face of social change. It was their inability to adapt to change due to the rigidity of their adherence to tradition, that was also the cause of their decline. ”
― Martin Wickramasinghe

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