Shilpi’s
Comments
(group member since Jul 28, 2011)
Shilpi’s
comments
from the Summer Reads! One-Day-Only Discussion Group group.
Showing 1-16 of 16

Kerry, I think Somer is a flawed character (aren..."
Thanks Kerry, and best wishes to you!

Cheers,..."
And you as well, Susan. Hopefully one day, we'll get the chance to do it in person! Best wishes.

Kerry, I think Somer is a flawed character (aren't we all?), and also a product of the times. Things were quite different in the late 70's when she married Krishnan -- multicultural marriages were rare and usually happened with the foreigner adapted to America. Similarly, the conventional wisdom on adopting kids from other countries was very different in the early 80's, when parents were told to assimilate their kids as quickly as possible to American culture so as not to feel "different." It's amazing to think of how much our collective thinking has changed in the past 30-40 years.

http://www.goodreads.com/topic/show/6...



TK, thanks -- that's great to hear!

TK, what an interesting question. I really enjoy hearing from readers, particularly when they make me aware of aspects of my writing that I hadn't thought about. For example, several readers have told me that they enjoy the short chapters in SECRET DAUGHTER because they can fit them into their busy life, and I've also heard people were compelled to keep reading to find out what happens at the end. While I didn't set out to write a "page-turner" or a fast-read, it's been interesting for me to hear how readers felt about these aspects.

Last night, my book club discussed Secret Daughter. We all loved the novel - I am still in awe of the multitude of themes within the novel. One of our members had never read..."
Linda, so glad your book club had a robust discussion -- those are always the best ones! If your friend is looking for other books set in India, I highly recommend A FINE BALANCE (Rohinton Mistry), GOD OF SMALL THINGS (Arundhati Roy) -- very different but both amazing books.

http://www.shilpigowda.com/gowda-sign...

Hi Autumn, you've touched on one of the great challenges of writing, which is how much of the story to actually tell. Of course, your characters need to get from point A to point B, but reading about each of the steps along the way is often not terribly interesting. This becomes a larger challenge if your covering great periods of time (like decades) in novel.
For a new writer, I might suggest writing the story as it comes to you, and then going back and doing significant cuts. You can edit out the uninteresting parts, or boil that content down into a short description.
Alternatively, you can sketch an outline of the whole story and pick out the most critical scenes (the turning points of the plot and the characters). Write those scenes, even if you're hopping around -- then you'll have the bones of the story and you can add the connecting bits later. This way you can save yourself from a lot of overwriting than you'll have to edit out later.
Good luck!

Regarding the ending (and trying not to give away anything for those who haven't read it) -- I felt very strongly about not wanting the type of ending you describe (let's call it the "Hollywood" ending), because it could be either realistic or satisfying, but not both.
So I tried a few different endings to find one that would be both authentic and satisfying for the characters (and therefore, the readers). I wanted it to feel subtle and a little unexpected.
You are right that the story is inspired in part by my experience volunteering at an orphanage in India when I was a college student. I've written an essay about it here:
http://www.shilpigowda.com/gowda-behi...
I am in the midst of writing another novel now, which touches on some similar themese to SECRET DAUGHTER, but features a new story and characters.

Of course, I'm also an avid reader. I just finished and enjoyed STATE OF WONDER, the latest by Ann Patchett, one of my favorite authors.
