Girard’s
Comments
(group member since Sep 29, 2018)
Girard’s
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from the Point Blank group.
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I try to give a book about 50-60 pages. If it hasn't grabbed me by then, I move on. There's too many good books out there. I like the Crime Reads newsletter, but rarely check out the latest books, as I have too many "old" books to catch up on. Any current reading I do is usually based on direct recommendations from friends, or the Pulp Fiction monthly read.
You might want to start the Slough House series with the first book, Slow Horses. It's a good introduction to all the characters, providing some background for the later books. That said, I think the subsequent books might stand up well if read out of order. If Slow Horses doesn't grab you, I don't think the other books will.

The 2nd Slough House book, Dead Lions, has some particular style characteristics in common with McBain. I'll be curious if you agree, if Herron interests you enough to read that far.
Thanks for all the references, and the reminder of High & Low, which I haven't seen in years. It's time to watch it again!

I've recently stumbled on Mick Herron and his Slough House series. I've read three and intend on finishing the series. To me, they are the spy equivalent of Ed McBain's great police procedural series, 87th Precinct. Slough House is where hapless MI5 spies are sent, in hopes they'll quit. There is a cast of recurring characters, but the plots concentrate more on spycraft/spy v spy stuff rather than their personal lives. That said, the characters are well-drawn and fill out as the series progresses.
Sometimes you'll see the books described as comic, which I think gives a false impression. There are some wryly comic moments, but these are serious stories. I'm not sure they qualify as noir, buth they are highly recommended by me, FWIW.
And I agree about Tinker Tailor (too opaque and hard to follow), and The Spy Who. . . (good noir-ish read).

I just loved White Jazz, the apotheosis of Ellroy's trademark pared-down style. There was talk at one time of a Joe Carnaham film of this, with George Clooney as the main character (bad, bad cop) and John Cusack as his partner. Too bad it never got made - it would have been great to see Clooney play against type.
I agree with you about The Big Nowhere, which somehow gets neglected after The Black Dahlia and LA Confidential. Great book. Might be time for a re-read of Ellroy's LA Quartet. I enjoyed those more than the more recent novels. That said, all Ellroy's novels are worth reading. He's probably my favorite crime writer.
I had the pleasure of attending an Ellroy book signing/reading in DC for White Jazz. He was very entertaining, and could not have been more gracious. Even my wife, not a crime-fiction reader at the time, thoroughly enjoyed him. I had several hardbacks for him to sign, which he held up to the crowd, many with bags of paperbacks, and said, "Look, folks - full pop!" Definitely a Good Dude.

Between the public library and my personal library (anybody want to post pix of their crime libraries?), I don't EVER have to buy another book. Yet - it keeps happpening!


It reminded me of my experience with LA Confidential, the first Ellroy I read. After a point, I was simply along for the ride, which was great. Re-reading it, I was better able to keep track of characters & connections. I'm a huge Ellroy fan; White Jazz might be my favorite. This Storm is in my TBR stack, along with Mark Bowden's The Last Stone, and Davies' Deptford Trilogy.
I'll get back to Bad Blood, based on your recommendation - thanks!

I'm finishing up Don Winslow's The Border - it's a GREAT book, the 3rd in his Cartel trilogy, which FX is turning into a series. These are must-reads for crime fiction fans.
If drugs and crime are of any interest, I can highly recommend a non-fiction book called Underground Empire: Where Crime and Government Embrace, by James Mills. It details 3 operations by the US drug agency Centac. It's an older book, but it reads like a thriller, and is still pertinent today.

