“What Gaudi had attained by twisting the order to his peculiar missionary and structural purposes, Loos could only assert by isolation and giganticism: the supremacy of value pitted against the city of brute fact. The Doric order appeared to have been the ultimate historical form, the great human building achievement, unfettered by sculptural contingency or the base need for shelter. All of them – Gaudi, Sullivan and Loos, and Asplund – saw the Doric order as ultimate, though perhaps only for Loos did that imply the last ever, the last possible.”