“Then, breaking forth from a bizarre low angle, a ray of light shining up the gorge illuminating a world otherwise cast in darkness by the black rain clouds above. The water reflects a white brilliance. From where I am watching, the mass of glistening white is momentarily blinding. It takes some time for my eyes to adjust to this whiteness and recognise the river. The Franklin River. A world pure and whole and complete unto itself. Neither rubber condoms nor rubber tyres nor tin cans nor dioxins nor bent rusting chrome reminders of the cars they once graced nor any of the other detritrus of our world seem to abide here. This is an alien world. This is the river. Rising in the Cheyne Range. Falling down Mt Gell. Writhing like a snake in the wild lands at the base of the huge massif of Frenchmans Cap. Writing its past and prophesying its future in massive gorges slicing through mountains and cliffs so undercut they call them verandahs, and in eroded boulders and beautiful gilded eggs of river stone, and in beaches of river gravel that shift year to year, flood to flood, and in that gravel that once was rounded river rock that once was eroded boulder that once was undercut cliff that once was mountain and which will be again.”