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“Klossowski’s writings therefore invite us to move beyond the impasse of certain intellectual positions inherited from the 1960s: on the one hand, arguments that society is all-determining as a set of institutional and disci- plinary constraints (Frankfurt School, structuralism), and on the other hand, arguments for the perpetual vitality and agency of the subject which continually subverts and undermines these restrictions (post-structural- ism, Deleuze and Guattari). Rather than collapsing these positions, Klossowski requires us to take on board a more complex network of libidi- nal drives that require perpetual restaging and renegotiation. This tension between structure and agency, particular and universal, spontaneous and scripted, voyeur and voyant, is key to the aesthetic effect and social import of the best examples of delegated performance.”

Claire Bishop, Artificial Hells: Participatory Art and the Politics of Spectatorship
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Artificial Hells: Participatory Art and the Politics of Spectatorship Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop
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