“There was, again, another poetic element entirely peculiar to Tennyson, which his critics have, in many cases, ridiculously confused with a fault. This was the fact that Tennyson stood alone among modern poets in the attempt to give a poetic character to the conception of Liberal Conservatism, of splendid compromise. The carping critics who have abused Tennyson for this do not see that it was far more daring and original for a poet to defend conventionality than to defend a cart-load of revolutions. His really sound and essential conception of Liberty,

"Turning to scorn with lips divine
The falsehood of extremes,"

is as good a definition of Liberalism as has been uttered in poetry in the Liberal century. Moderation is not a compromise; moderation is a passion; the passion of great judges. That Tennyson felt that lyrical enthusiasm could be devoted to established customs, to indefensible and ineradicable national constitutions, to the dignity of time and the empire of unutterable common sense, all this did not make him a tamer poet, but an infinitely more original one. Any poetaster can describe a thunderstorm; it requires a poet to describe the ancient and quiet sky.”