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Lorrie Moore

“Romance languages eluded me both generally and specifically; nothing was as cryptic and ripe for misunderstanding as the physical language of a boy’s love. What was an involuntary grimace I took to be rapture. What was a simple natural masculine compulsion to be in, to tunnel and thrust, I saw as a tender desire to be sweetly engulfed and at least momentarily overpowered by another’s devoted attentions. What was an urgent, automatic back-and-forth of the body I thought of as the eternal romantic return of the lover. Kissing was not animal appetite but the heart flying up to the lips and speaking its unique attraction and deep eternal fondnesses in the only way it could. The juddering of climax, as involuntary as a death rattle, I took to be a statement of hopeless attachment. Why, I don’t know. I didn’t think of myself as sentimental. I thought of myself as spiritually alert.

Uh-oh, as Mary-Emma would say.

“Are you a virgin?” he had asked.

“Yes,” I said. That he couldn’t tell already, that it wasn’t spelled out all over my face and demeanor, thrilled me. To be funny, I rolled my head with a harlot’s abandon and purred, “I am.” I fell back, the way a cooked onion slid apart, in all its layers, when bit.

Later I would come to believe that erotic ties were all a spell, a temporary psychosis, even a kind of violence, or at least they coexisted with these states. I noted that criminals as well as the insane tended to give off a palpable, vibrating allure, a kind of animal magnetism that kept them loved by someone. How else could they survive at all? Someone had to hide them from the authorities! Hence the necessity and prevalence of sex appeal for people who were wild and on the edge.”

Lorrie Moore, A Gate at the Stairs
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A Gate at the Stairs A Gate at the Stairs by Lorrie Moore
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