“Visual design is always a collaborative process between the director and the cinematographer. According to the best-case scenario, the director and cinematographer challenge each other as equals, and ultimately synthesize their differing approaches into a superior collective decision. But for this to be the case, the director must be as good a shot maker as the DP. If he is the weaker partner, then the look of the finished film will not be his”
―
Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films
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Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films
by
Gil Bettman15 ratings, average rating, 0 reviews
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