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“Visual design is always a collaborative process between the director and the cinematographer. According to the best-case scenario, the director and cinematographer challenge each other as equals, and ultimately synthesize their differing approaches into a superior collective decision. But for this to be the case, the director must be as good a shot maker as the DP. If he is the weaker partner, then the look of the finished film will not be his”

Gil Bettman, Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films
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