“But hell can endure for only a limited period, and life will begin again one day. History may perhaps have
an end; but our task is not to terminate it but to create it, in the image of what we henceforth know to be
true. Art, at least, teaches us that man cannot be explained by history alone and that he also finds a reason
for his existence in the order of nature. For him, the great god Pan is not dead. His most instinctive act of
rebellion, while it affirms the value and the dignity common to all men, obstinately claims, so as to satisfy
its hunger for unity, an integral part of the reality whose name is beauty. One can reject all history and yet
accept the world of the sea and the stars. The rebels who wish to ignore nature and beauty are condemned
to banish from history everything with which they want to construct the dignity of existence and of labor.
Every great reformer tries to create in history what Shakespeare, Cervantes, Moliere, and Tolstoy knew
how to create: a world always ready to satisfy the hunger for freedom and dignity which every man
carries in his heart. Beauty, no doubt, does not make revolutions. But a day will come when revolutions
will have need of beauty. The procedure of beauty, which is to contest reality while endowing it with
unity, is also the procedure of rebellion. Is it possible eternally to reject injustice without ceasing to
acclaim the nature of man and the beauty of the world? Our answer is yes. This ethic, at once unsubmissive
and loyal, is in any event the only one that lights the way to a truly realistic revolution. In upholding
beauty, we prepare the way for the day of regeneration when civilization will give first place—far ahead
of the formal principles and degraded values of history—to this living virtue on which is founded the
common dignity of man and the world he lives in, and which we must now define in the face of a world
that insults it.”