“It’s the color scheme of that first afternoon—that white panorama full of potential, that threshold white—that Marina understands as whomise. And that’s what she’s trying to recreate now, a year and a bit later, with a series of expensive light bulbs. ‘White light,’ the packaging promised. She fits them one by one throughout the house, and unbeknown to her, choreographs the slow dance of light-over-puddle in the passageway.”