“The secularisation and feminine specification of this seems to have been effected through the figure of the woman as angel, enlightened and enlightening. Theologically, angels have no gender, and in the Bible and medieval art they were depicted as male and manly. With the Renaissance, they begin to be depicted either as women or as men with ‘feminine’ traits (Underhill 1995: 56). Verbal and visual imagery of the angelic begins to be applied to idealised, or just simply adored, women. Edmund”