“I think it was surprising that we were the first group of animators, as far as I can recall, to have the opportunity to be able to view our work and correct our mistakes before they were spread out over the screen. In our little studio on Hyperion Avenue, each foot of film was drawn and redrawn until we could say, 'This is the best we can do.' We became perfectionists, and since nothing is ever perfect, we were constantly dissatisfied.”